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The Lady Ludlow collection of English Porcelain forms one of the greatest assemblages of 18th century English Porcelain in the world. It comprises about five hundred pieces of Bow, Chelsea, Derby and Worcester porcelain, and from other factories, as well as some ancillary pieces that take the story of English porcelain into the early 19th century. Formed between the two world wars, it reflects both the taste of its time and the unrivaled buying opportunities that were available in what may now be seen as a time of plenty.
Exploring Enlightenment attitudes toward things and their relation to human subjects, this collection offers a geographically wide-ranging perspective on what the eighteenth century looked like beyond British or British-colonial borders. To highlight trends, fashions, and cultural imports of truly global significance, the contributors draw their case studies from Western Europe, Russia, Africa, Latin America, and Oceania. This survey underscores the multifarious ways in which new theoretical approaches, such as thing theory or material and visual culture studies, revise our understanding of the people and objects that inhabit the phenomenological spaces of the eighteenth century. Rather than focusing on a particular geographical area, or on the global as a juxtaposition of regions with a distinctive cultural footprint, this collection draws attention to the unforeseen relational maps drawn by things in their global peregrinations, celebrating the logic of serendipity that transforms the object into some-thing else when it is placed in a new locale.
"Indexes to papers read before the Museums Association, 1890-1909. Comp. by Charles Madeley": v. 9, p. 427-452.
Elizabeth Adams charts the progress of Sprimont's venture and describes in detail the wares now known as Chelsea. She reconstructs the history of the Chelsea porcelain factory, from its setting up to its final destruction.