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Commonly referred to as the Armory Show, the International Exhibition of Modern Art in 1913 was an enormous art exhibit featuring the works of early modern artists from Impressionism to Expressionism. The show was an important event in the history of American art, introducing the American public, who were accustomed to realistic art, to the experimental styles of the European avant-garde, including Fauvism, Cubism and Futurism. The show influenced American artists to work in these modern styles. Some of the well-known artists featured in this exhibit include Marcel Duchamp, Camille Pissarro, Mary Cassatt, Paul Cezanne, Paul Gauguin and Wassily Kandinsky.
Ter gelegenheid van een tentoonstelling in de Arthur Ross Architectural Gallery, Buell Hall van 9 maart tot 2 mei 1992.
The most influential work of architectural criticism and history of the twentieth century, now available in a handsomely designed new edition.
"Published on the occasion of the exhibition International Pop, organized by Darsie Alexander with Bartholomew Ryan for the Walker Art Center, Minneapolis."
Timeless Painting presents the work of 17 contemporary painters whose works reflect a singular approach that is peculiarly of our time: they are a-temporal, a term coined by William Gibson and Bruce Sterling, the originators of the cyberpunk aesthetic. A-temporality or timelessness manifests itself in painting as an ahistoric free-for-all, where contemporaneity as an indicator of new form is nowhere to be found, and all eras co-exist. Published to accompany an exhibition at The Museum of Modern Art that explores the impact of this cultural condition on contemporary painting, this publication features work by an international roster of artists including Joe Bradley, Kerstin Brätsch, Matt Connors, Nicole Eisenman, Mark Grotjahn, Charline von Heyl, , Julie Mehretu, Oscar Murillo, Laura Owens and Josh Smith, among others. An overview essay by curator Laura Hoptman is divided into thematic chapters that explore topics such as re-animation and reenactment, recontextualization, 'Zombie' painting, and the concomitant 'Frankenstein approach', which describes a process of stitching together pieces of the history of painting to create a work of art that would be dead but for its juxtaposed parts, all working in association with one another to propel the work into life.
This volume focuses on the architect Philip Johnson's long association with The Museum of Modern Art, with essays examining his roles as patron, as curator, and as the institution's unofficial architect from the late 1940s to the early 1970s.
The book examines individual and collective visions for the material world of children, from utopian dreams for the citizens of the future to the dark realities of political conflict and exploitation. Surveying more than 100 years of toys, clothing, playgrounds, schools, children's hospitals, nurseries, furniture, posters, animation and books, this richly illustrated catalogue illuminates how progressive design has enhanced the physical, intellectual, and emotional development of children and, conversely, how models of children's play have informed experimental aesthetics and imaginative design thinking.