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In volume three of this series, Part I covers the period between Leo III to Michale III (867-1081), while Part II covers Bail I to Nicephorus III (867-1081).
In volume three of this series, Part I covers the period between Leo III to Michale III (867-1081), while Part II covers Bail I to Nicephorus III (867-1081).
This book is not a conventional political narrative of Carolingian history shaped by narrative sources, capitularies, and charter material. It is structured, instead, by numismatic, diplomatic, liturgical, and iconographic sources and deals with political signs, images, and fixed formulas in them as interconnected elements in a symbolic language that was used in the indirect negotiation and maintenance of Carolingian authority. Building on the comprehensive analysis of royal liturgy, intitulature, iconography, and graphic signs and responding to recent interpretations of early medieval politics, this book offers a fresh view of Carolingian political culture and of corresponding roles that royal/imperial courts, larger monasteries, and human agents played there.
This book represents an attempt to depict the late Roman and Byzantine monetary economy in its fullest possible social, economic and administrative context, with the aim of establishing the basic dynamics behind the production of the coinage, the major mechanisms affecting its distribution, and the general characteristics of its behaviour once in circulation. The book consists of four main sections, on economy and society, on finance, and on the circulation and production of coinage, and has made an unrivalled contribution in the field of late classical, Byzantine and medieval economic history. The text is fully supported by the extensive quotation of translated sources, and by maps, tables and plates.
This is the first fully illustrated catalogue of a major collection of late Roman and early Byzantine imperial coins. It follows the general layout of the Byzantine volumes in the Dumbarton Oaks series, with a substantial introduction dealing with the history of the coinage, including iconography, mints, and monetary system. In this volume, however, all the coins are illustrated in the plates.
These sculptures reflect the Blisses' wide-ranging tastes and extraordinary connoisseurship. About a quarter are Greco-Roman; nearly two-thirds of the rest are Late Antique, mostly limestone carvings from Early Byzantine Egypt. Sculpture from the Middle Byzantine period is very rare, making the four pieces in this collection especially significant.
The final volume in the series, this catalogue follows the general plan of volumes II-IV but differs from them in its use of the sylloge format for the catalogue proper. The collection of Palaeologan coins at Dumbarton Oaks is by far the largest that exists, and the field is one in which great advances have been made over the last half-century. This volume supersedes the previous accounts of Palaeologan coinage, and is definitive in its field. Part I includes the introduction, appendices, and bibliography, while Part II continues with the catalogue, concordances, and indexes.