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Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come.
Giulio Romano was one of the most important, versatile, and influential artists of the late Italian Renaissance. As the primary protege of Raphael, he inherited his master's studio at the papal court following Raphael's death in 1520. Giulio initially continued to work in Raphael's Roman High Renaissance style, but as his personal style matured, he became one of the great court painters and architects of the 16th century. Shakespeare called him "that rare Italian master."Giulio Roman was a prolific draftsman, and left preparatory drawings for a wide range of projects, including decorative arts, architecture, religious works, frescoes, stuccoes, and the famous series of erotic prints, I Modi. This thorough examination of Giulio's career and drawings celebrates the 500th anniversary of his birth.Janet Cox-Rearick is distinguished professor of art history at Hunter College and the Graduate School, City University of New York.
"....This book is divided into three parts....The first volume is focused on the copies and adaptations that Rubens made from the work of Raphael and three younger artists, Giulio Romano, Polidoro da Caravaggio, and Perino del Vaga, who worked with him in Rome before moving to art centres elsewhere."--Author's preface.