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The Catalogue of the Arabic, Persian and Turkish Manuscripts in Belgium is a union catalogue aiming is to present the Oriental manuscripts held by various Belgian public institutions (Royal Library, university and public libraries). These collections and their contents are largely unknown to scholars due to the lack of published catalogues. This first volume, consisting of a bi-lingual (English and Arabic) handlist, concerns the collection of the Université de Liège, which holds the largest number of Oriental manuscripts (c. 500). Each title is briefly described, identifying the author and offering basic material information. Most of the manuscripts described in this handlist originate from North Africa.
In recent years, a growing interest in “oriental manuscripts” in all their aspects, including the extrinsic ones, has been observed. Research that focuses on holograph, autograph and authorial manuscripts in Arabic handwritten script has nevertheless been casual, although these manuscripts raise important and varied questions. The study of the working methods of authors from the past informs different disciplines: paleography, codicology, textual criticism, ecdotics, linguistics and intellectual history. In this volume nine contributions and case studies are gathered that address theoretical issues and convey different, disruptive perspectives. A particularly important subject of this book, so far rarely discussed in scientific literature, is the identification of an author’s handwriting. Among the authors specifically dealt with in this volume one will find: al-Maqrīzī (m. 845/1442), al-Nuwayrī (m. 733/1333), Akmal al-Dīn b. Mufliḥ (m. 1011/1603), al-ʿAynī (m. 855/1451) and Ibn Khaldūn (m. 808/1406). Contributors: Frédéric Bauden, Julien Dufour, Élise Franssen, Adam Gacek, Retsu Hashizume, Marie-Hélène Marganne, Elias Muhanna, Nobutaka Nakamachi, Anne Regourd, and Kristina Richardson.
The present volume contains seventeen essays on the Mamluk Sultanate, an Islamic Empire of slaves whose capital was in Cairo between the 13th and the 16th centuries, written by leading historians of this period. It discusses topics as varied as social and cultural issues, women in Mamluk society, literary and poetical genres, the politics of material culture, and regional and local politics. The volume presents state of the art scholarship in the field of Mamluk studies as well as an in-depth review of recent developments. Mamluk studies have expanded considerably in recent years and today interests hundreds of active researchers worldwide who write in numerous languages and constitute a vivid and strong community of researchers, some of whose best research is presented in this volume. With contributions by Reuven Amitai; Frédéric Bauden; Yuval Ben-Bassat; Joseph Drory; Élise Franssen; Yehoshua Frenkel; Li Guo; Daisuke Igarashi; Yaacov Lev; Bernadette Martel-Thoumian; Carl Petry; Warren Schultz; Boaz Shoshan; Hana Taragan; Bethany J. Walker; Michael Winter; Koby Yosef; Limor Yungman.
An analysis of a variety of early Islamic texts to understand processes of identity formation and community In Shurat Legends, Ibadi Identities, Adam Gaiser explores the origins and early development of Islamic notions of martyrdom and of martyrdom literature. He examines the catalogs or lists of martyrs (martyrologies) of the early shur?t (Kh?rijites) in the context of late antiquity, showing that shur?t literature, as it can be reconstructed, shares continuity with the martyrologies of earlier Christians and other religious groups, especially in Iraq, and that this powerful literature was transmitted by seventh century shur?t through their successors, the Ib??iyya. Gaiser examines the sources of poems and narratives as quasi-historical accounts and their application in literary creations designed to meet particular communal needs, in particular, the need to establish and shape identity. Gaiser shows how these accounts accumulated traits—such as all-night prayer vigils, stoic acceptance of death, and miracles—-of a wider ascetic and apocalyptic literature in the eighth century, including martyrdom narratives of Eastern Christianity. By establishing focal points of piety around which a communal identity could be fashioned, such accounts proved suitable for use in missionary activity in North Africa and the Arabian Peninsula. Gaiser also documents the reshaping of these narratives for more quietist purposes: emphasizing moderated rather than violent action, diplomacy, and respect for other Islamic sects as also being monotheistic, rather than condemning them as sinful. Along with refashioning narratives, Gaiser details the Ib??? efforts to compile collections into genealogies, both biographical dictionaries and lineages of the true faith linking individuals and communities to local saints and martyrs. He also shows how this more nuanced history led to the formation of rules and authorities governing the shur?t. Employing rarely examined manuscript materials to shed light on such processes as identity formation and communal boundary maintenance, Gaiser traces the course by which this martyrdom literature and its potentially dangerous implications came to be institutionalized, contained, and controlled.
Arabic is the third most widely used script in the world, and gave rise to one of the richest manuscript cultures of mankind. Its representation in type has engaged printers, engineers, businesses and designers since the 16th century, and today most digital devices render Arabic type. Yet the evolution of the printed form of Arabic, and its development from metal to pixels, has not been charted before. Arabic Type-Making in the Machine Age provides the first comprehensive account of this history using previously undocumented archival sources. In this richly illustrated volume, Titus Nemeth narrates the evolution of Arabic type under the influence of changing technologies from the perspective of a practitioner, combining historical research with applied design considerations.
This volume is a tribute to the work of legal and social historian and Arabist Rudolph Peters (University of Amsterdam). Presenting case studies from different periods and areas of the Muslim world, the book examines the use of legal documents for the study of the history of Muslim societies. From examinations of the conceptual status of legal documents to comparative studies of the development of legal formulae and the socio-economic or political historical information documents contain, the aim is to approach legal documents as specialised texts belonging to a specific social domain, while simultaneously connecting them to other historical sources. It discusses the daily functioning of legal institutions, the reflections of regime changes on legal documentation, daily life, and the materiality of legal documents. Contributors are Maaike van Berkel, Maurits H. van den Boogert, Léon Buskens, Khaled Fahmy, Aharon Layish, Sergio Carro Martín, Brinkley Messick, Toru Miura, Christian Müller, Petra M. Sijpesteijn, Mathieu Tillier, and Amalia Zomeño.
When the Umayyads, the first Islamic dynasty, rose to power shortly after the death of the Prophet Muhammad (d. 632), the polity of which they assumed control had only recently expanded out of Arabia into the Roman eastern Mediterranean, Iraq and Iran. A century later, by the time of their downfall in 750, the last Umayyad caliphs governed the largest empire that the world had seen, stretching from Spain in the West to the Indus valley and Central Asia in the East. By then, their dynasty and the ruling circles around it had articulated with increasing clarity the public face of the new monotheistic religion of Islam, created major masterpieces of world art and architecture, some of which still stand today, and built a state apparatus that was crucial to ensuring the continuity of the Islamic polity. Within the vast lands under their control, the Umayyads and their allies ruled over a mosaic of peoples, languages and faiths, first among them Christianity, Judaism and the Ancient religion of Iran, Zoroastrianism. The Umayyad period is profoundly different from ours, yet it also resonates with modern concerns, from the origins of Islam to dynamics of cultural exchange. Editors Alain George and Andrew Marsham bring together a collection of essays that shed new light on this crucial period. Power, Patronage, and Memory in Early Islam elucidates the ways in which Umayyad lites fashioned and projected their self-image, and how these articulations, in turn, mirrored their own times. The authors, combining perspectives from different disciplines, present new material evidence, introduce fresh perspectives about key themes and monuments, and revisit the nature of the historical writing that shaped our knowledge of this period.
Between the twelfth and sixteenth centuries, a distinct form of Islamic thought and practice developed among Muslim trading communities of the Indian Ocean. Sebastian R. Prange argues that this 'Monsoon Islam' was shaped by merchants not sultans, forged by commercial imperatives rather than in battle, and defined by the reality of Muslims living within non-Muslim societies. Focusing on India's Malabar Coast, the much-fabled 'land of pepper', Prange provides a case study of how Monsoon Islam developed in response to concrete economic, socio-religious, and political challenges. Because communities of Muslim merchants across the Indian Ocean were part of shared commercial, scholarly, and political networks, developments on the Malabar Coast illustrate a broader, trans-oceanic history of the evolution of Islam across monsoon Asia. This history is told through four spaces that are examined in their physical manifestations as well as symbolic meanings: the Port, the Mosque, the Palace, and the Sea.
Recent manuscript evidence from al-Jami` al-Kabir in ?an ‘a’ suggests that the Qur’an took its final shape well before 671 CE. Irrespective, however, of who composed it or when it was compiled, questions remain about whether the Qur’an followed any kind of preconceived plan or compositional schema that makes sense in today’s world. In The al-Baqara Crescendo, Nevin Reda introduces a bold new avenue of research: the poetics of Qur'anic narrative structure. Focusing on Surat al-Baqara, the longest and most challenging of the suras, she explores the beauty and rationale behind the Qur'an’s unusual organization. Reda argues that the sura – often dismissed by Muslim traditionalists and Orientalist critics as a baffling collection of disjointed material – can be appreciated as a coherent composition if it is approached as a spoken text. Calling attention to oral organizational techniques such as repetition, this book’s repertoire of figures showcases Surat al-Baqara’s ingenious layout and pinpoints the sophisticated meanings that are embedded within it. Incorporating insights from literary theory and Biblical studies, the author advances inclusivity and intercultural bridge-building in the study of scripture. In an engaging narrative that is bound to captivate and challenge the reader, Reda communicates a deep love and thorough command of her subject, all while presenting a significant new development in Islamic feminist hermeneutics.