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Includes its Report, 1896-19 .
The volume, composed by excellent scholars from different academic disciplines, is a comprehensive handbook devoted to the complex relationship between modern Judaism and historical thinking in Europe, the United States, and Israel from the Enlightenment to the present. Apart from analyzing the emergence of a new scholarly historical paradigm during this period, the contributions interpret the interaction and the tensions between Jewish historiography and other disciplines such as literature, theology, sociology, and philosophy, describe the way historical consciousness was popularized and used for ideological purposes and explore the impact of different – religious or secular – identities on the historical representation of the Jewish past. A final part envisions new theoretical and methodological concepts within the field, including cultural studies and gender studies.
In The Jewish Museum: History and Memory, Identity and Art from Vienna to the Bezalel National Museum, Jerusalem Natalia Berger traces the history of the Jewish museum in its various manifestations in Central Europe, notably in Vienna, Prague and Budapest, up to the establishment of the Bezalel National Museum in Jerusalem. Accordingly, the book scrutinizes collections and exhibitions and broadens our understanding of the different ways that Jewish individuals and communities sought to map their history, culture and art. It is the comparative method that sheds light on each of the museums, and on the processes that initiated the transition from collection and research to assembling a type of collection that would serve to inspire new art.
Catalog of Catalogs provides a comprehensive index of nearly 2,300 publications documenting the exhibition of Judaica over the past 140 years. This vast corpus of material, ranging from simple leaflets to scholarly catalogs, contains textual and visual material as yet unmined for the study of Jewish art, religion, culture and history. Through highly-detailed, fully-indexed catalog entries, William Gross, Orly Tzion and Falk Wiesemann elucidate some 2,000 subjects, geographical locations and Judaica objects (ceremonial objects, illuminated manuscripts, printed books, synagogues, cemeteries et al.) addressed in these catalogs. Descriptions of the catalog's bibliographic components, contributors, exhibition history, and contents, all accessible through the volume's five indices, render this volume an unparalleled new resource for the study of Jewish Art, culture and history.