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Wolff explores how Western thinkers contributed to defining and characterizing Eastern Europe as half-civilized and barbaric.
One of a series of systematic catalogues of the National Gallery of Art's collection, this comprehensive volume discusses in detail 310 objects that comprise one of the world's outstanding repositories of American naive paintings. Works by renowned folk artists such as Edward Hicks, Erastus Salisbury Field, and Ammi Phillips are represented in depth and placed in stylistic as well as historical context. This catalogue is an indispensable tool for historians of Amerian painting and folk art, and for students of American life and culture. Thorough documentation and commentary are provided for the first time on some of the most intriguing images produced in America in the past two hundred years.
The energy and optimism of the new nation are abundantly apparent in this catalogue. It features some of the icons of American art, such as John Singleton Copley's The Copley Family and Gilbert Stuart's portraits of the first five presidents. Numerous paintings, including Benjamin West's Colonel Guy Johnson and Karonghyontye (Captain David Hill), are discussed from a new perspective, the result of information culled from letters, wills, and other previously unpublished documents. The author offers new interpretations of some works, among them Charles Willson Peale's portrait of the Baltimore couple Benjamin and Eleanor Ridgely Laming. The volume is richly illustrated, with carefully selected comparative illustrations.
The Landscape of Industry is an integrated study which establishes a method for the analysis of complex industrial landscapes. Based on a study of the Ironbridge Gorge, the authors consider a range of material evidence, combining archaeological appraisal of the landscape with analysis of its characteristic settlement patterns and built forms. The authors consider the shifting relationship between landscape and industry. Industrialisation is itself shaped and constrained by the landscape in which it occurs, and the authors consider the interaction of environment and industry as the accumulation of an inheritance which in each generation influences the course and content of future development. The Landscape of Industry sets the agenda both for further study and for the integrated management of landscape resources.
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.