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An extraordinary masterpiece written from personal experience, Middlemarch is a deep psychological observation of human nature that revolves around the issues of love, jealousy, and obligation. Eliot's feminist views are apparent through the novel: she stresses the fact that women should control their own lives.
'Phrases and Names, Their Origins and Meanings' is a one-of-a-kind encyclopedic work that offers plain statements of facts on the origins of popular phrases and names, alphabetically organized for easy reference. Trench H. Johnson's expertise in the subject matter, acquired through years of omnivorous reading and patient inquiry, has culminated in a comprehensive and fascinating compilation of linguistic curiosities that is sure to satisfy the curiosity of any word lover. From the history of place-names to the evolution of expressions, including a plethora of slang terms and Americanisms, this book offers a wealth of knowledge that opens up the history of peoples and civilizing influences.
Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme. This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.
An anthropologist investigates the revolution of everyday life.
Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer in Britain 1815–1850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the nineteenthcentury antique and curiosity markets. Set against the recent ‘art market turn’ in scholarly literature, this volume examines the role, activities, agency and influence of antique and curiosity dealers as they emerged in the opening decades of the nineteenth century. This study begins at the end of the Napoleonic Wars, when dealers began their wholesale importations of historical objects; it closes during the 1850s, after which the trade became increasingly specialised, reflecting the rise of historical museums such as the South Kensington Museum (V&A). Focusing on the archive of the early nineteenth-century London dealer John Coleman Isaac (c.1803–1887), as well as drawing on a wide range of other archival and contextual material, Mark Westgarth considers the emergence of the dealer in relation to a broad historical and cultural landscape. The emergence of the antique and curiosity dealer was part of the rapid economic, social, political and cultural change of early nineteenth-century Britain, centred around ideas of antiquarianism, the commercialisation of culture and a distinctive and evolving interest in historical objects. This book will be of interest to scholars in art history, histories of collecting, museum and heritage studies and nineteenth-century culture.
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Sucesos de las Islas Filipinas (English: Events in the Philippine Islands) is a book written and published by Antonio de Morga considered one of the most important works on the early history of the Spanish colonization of the Philippines. It was published in 1609 after he was reassigned to Mexico in two volumes by Casa de Geronimo Balli, in Mexico City.