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Excerpt from Catalogue of Old and Modern Paintings, Water Colors and Drawings, Exclusively the Property of the Late Stanford White: To Be Sold at Mendelssohn Hall, on Thursday and Friday Evenings, April 11th and 12th A composition representing three Moors, two Of them seated and one standing in an interior at the corner Of a small square swimming pool in the floor. Stamped at the lower right, Vente bargue, 1883. Height, 6 inches; length, inches. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from Catalogue of Modern Paintings and Water Colors Belonging to the Late William P. Douglas, H. B. Smithers, Theodore W. Myers, and Several Others Estates and Private Owners: To Be Sold at Absolute Sale by Auction on Wednesday, Thursday and Friday Afternoons, December 10th, 11th and 12th, 1919 2. The purchasers to give their names and addresses an to pay down a cash deposit, or the whole of the purchas money, if required, in default of which the lot or lots so pur chased to be immediately put up again and resold. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.