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This catalogue details the impressive collection of modern paintings belonging to George I. Seney, which was auctioned off at Chickering Hall under the management of the American Art Association. The catalogue includes descriptions and photographs of each painting, as well as information on the artists. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Catalogue of Mr. George I. Seney's Important Collection of Modern Paintings: To Be Sold by Auction, Absolutely Without Reserve on Wednesday, Thursday and Friday, February 11th, 12th and 13th Each production the impression of that by which he made his debut. The name Caliga, which he adopted, is a Latinization of his family name of Stiefel, and by it he has Since acquired a reputation that has made this brush-name a veritable trade-mark. His pictures are essentially representative of the modern and realistic tendency of Munich art, which, while it still continues to produce subjects with an individual interest and meaning, seeks in their realization to present them in a natural aspect. Thus there is grafted upon actualities, the figures and facts of life, a poetic and creative sentiment presented by executive methods in sympathy with the spirit of the work. Mr. Caliga returned to America some years since, and is now a regular and favorite contributor to our exhibitions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Catalogue of Mr. George I. Seney's Collection of Modern Paintings: To Be Sold by Auction, Tuesday, Wednesday and Thursday, March 31st, April 1st and 2d, 1885 Born at Hesse Cassel in 1815. Pupil of Schirmer, Dusseldorf Academy. Member of the Berlin, Antwerp and Amsterdam Academies. Knight of the Order of Leopold and of the Legion of Honor. Medals in Prussia and Belgium; in Paris in 1839 1855, - 1864 (when decorated with the Legion of Honor) - 1867. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.