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The nineteenth century squatter and painter Duncan Elphinstone Cooper spent about thirteen years of his life in the Western District of Victoria where he painted the fifty-four pictures presented in this volume. Most of these are from Cooper's The Challicum Sketch Book, now a treasured part of the collections of the National Library of Australia; the paintings deal almost exclusively with the grazing property of that name — from tent to house and beyond.
A key publication on the British Museum's approach to the ethical issues surrounding the inclusion of human remains in museum collections and possible solutions to the dilemmas relating to their curation, storage, access management and display.