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Catalog of Catalogs provides a comprehensive index of nearly 2,300 publications documenting the exhibition of Judaica over the past 140 years. This vast corpus of material, ranging from simple leaflets to scholarly catalogs, contains textual and visual material as yet unmined for the study of Jewish art, religion, culture and history. Through highly-detailed, fully-indexed catalog entries, William Gross, Orly Tzion and Falk Wiesemann elucidate some 2,000 subjects, geographical locations and Judaica objects (ceremonial objects, illuminated manuscripts, printed books, synagogues, cemeteries et al.) addressed in these catalogs. Descriptions of the catalog's bibliographic components, contributors, exhibition history, and contents, all accessible through the volume's five indices, render this volume an unparalleled new resource for the study of Jewish Art, culture and history.
A compelling biographical study of a leading twentieth-century British artist, 'Graham Sutherland: Life, Work and Ideas' offers new insight into how he and his paintings developed. In the culmination of her life's work, Rosalind Thuillier builds on the reflections and recollections of a friendship spanning decades to craft a comprehensive study of Sutherland's life and works, interweaving his perceptive responses to his own art, taken from personal notes and correspondence, with critical reviews and collectors' musings to give an authentic picture of the man whose work divided critics. Drawing on Sutherland's personal archive, the book includes an expansive collection of images that provide a fresh view of the artist. Studies by Sutherland, along with preparatory works for what would become renowned paintings, are published for the first time. Graham Sutherland's distinctive style and the emotions that shaped the paintings are here vividly explored. Thuillier describes not only the inspiration he found in the windswept Pembrokeshire countryside, but also his time as an official war artist, and his friendships inside and outside the art world. She expertly details the process behind the creation of works such as the controversial portrait of Churchill (1954), subsequently destroyed, and his most famous work, the huge 'Christ in Glory in the Tetramorph' tapestry (1962) in Coventry Cathedral. 'Graham Sutherland: Life, Work and Ideas' is not merely a biography, but a journey behind the scenes of the artist'scareer, exploring the paintings, relationships and influences that formed his vision as an artist and his undeniable contribution to art.
This catalogue contains a reproduction and complete description of each of the more than four hundred European paintings in the collection of the Museum, including the important new acquisitions, among them Fra Bartolommeo’s Rest on the Flight into Egypt, Jan van de Capella’s Shipping in a Calm, and Paul Cézanne’s Still Life with Apples. It also reflects the latest research regarding attribution and dating. An introduction by David Jaffé, curator of paintings at the Museum, explores the collecting activities and tastes of J. Paul Getty, who founded the Museum and was responsible for its earliest acquisitions.
First published in 1996. The art of the extraordinary French artist, Henri Matisse (1869- 1954), has provided visual pleasures and intellectual challenges to its viewers for the last hundred years. This is collection of gathered, summarized, and evaluated major literature on the artist primarily from France, the United States, Germany, and the Scandinavian countries, where major Matisse collections bear witness to early and intense interest in the artist's work.
Terry Winters’s work of the past decade weaves disparate strains of idea, object, and physical operations into the primary logic of his art. His art contains an astonishing array of forms and demonstrates the equally surprising breadth of his artistic language. This retrospective volume continues where the mid-career survey (1992) at the Whitney Museum concluded, presenting the past decade of Winters’s innovative work in paintings, prints, drawings, and artists’ books. Terry Winters presents the ways in which the artist creates sets and subsets of distinctive works that interact with bodies of previous and current work. Also included are images by the artist that have not previously been exhibited or published. Winters’s work is frequently included in conversations and studies relating to the interplay of art and science, and his recent paintings, drawings, and prints reflect his engagement with scientific and computational systems of thought and presentations of information. For Winters, abstract art has become a vehicle not for “reproducing and inventing form but for harnessing forces.” By utilizing expressive means, “data becomes pictorial and spatial.” This superbly illustrated volume displays the full range of Winters’s newest works and the complex relationships that link them to one another.
This publication presents a comprehensive catalogue of the works by Pablo Picasso in the Metropolitan Museum. Comprising 34 paintings, 59 drawings, 12 sculptures and ceramics, and more than 400 prints, the collection reflects the full breadth of the artist's multi-sided genius as it asserted itself over the course of his long career.