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AcknowledgementsForewordIntroductionBibliographical abbreviations CatalogueStone and marble sculptures Wood sculpturesIvory carvingsEnamelsOther works of artConcordancePhotographic acknowledgementsIndex of collectors, collections and dealers.
This educational resource packet covers more than 1200 years of medieval art from western Europe and Byzantium, as represented by objects in the collection of The Metropolitan Museum of Art. Among the contents of this resource are: an overview of medieval art and the period; a collection of aspects of medieval life, including knighthood, monasticism, pilgrimage, and pleasures and pastimes; information on materials and techniques medieval artists used; maps; a timeline; a bibliography; and a selection of useful resources, including a list of significant collections of medieval art in the U.S. and Canada and a guide to relevant Web sites. Tote box includes a binder book containing background information, lesson plans, timeline, glossary, bibliography, suggested additional resources, and 35 slides, as well as two posters and a 2 CD-ROMs.
What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.
This book teaches the reader how to look at medieval art–which aspects of architecture, sculpture, or painting are important and for what reasons. It includes the art and building of what is now Western Europe from the second to the fifteenth centuries.
This catalogue was published in 1996 to accompany an innovative exhibition, Medieval Art in America: Patterns of Collecting, 1800-1940, organized by the Frick Art Museum and the Palmer Museum of Art. With works of art borrowed from numerous prominent institutions--including the Metropolitan Museum of Art and the Art Institute of Chicago--the exhibition focused not on the objects themselves but rather on the motivations and methods that led collectors to bring medieval art to America. The catalogue for the 1996 exhibition, now newly available to the public, enables readers to revisit the pioneering display of objects, ranging from ivory statues to stained glass. With an illustrated catalogue of the 75 objects in the show and essays on well-known collectors and collections of medieval art, this volume is an indispensable reference for the study of both American collecting and medieval art.
One of the most important collections of medieval sculpture and metalwork ever assembled, available to the public for the first time This is the definitive catalogue of one of the most important collections of medieval art that exists in private hands, not previously accessible to the public. Comprised of outstanding European sculptures of the medieval period, as well as some Late Antique and Byzantine pieces and related works of the post-medieval era, this stunning volume includes detailed descriptions of many items rarely or never before seen in print. The featured objects are made from wood, stone (including alabaster and marble), terra- cotta, and metal— mostly consisting of crucifix figures (corpora) and other functional metalware, such as aquamanilia (water vessels for the washing of hands) and candlesticks—all of which are beautifully showcased by specially commissioned photography.
This refreshing new look at Medieval art conveys a very real sense of the impact of art on everyday life in Europe from 1000 to 1500. It examines the importance of art in the expression and spread of knowledge and ideas, including notions of the heroism and justice of war, and the dominant view of Christianity. Taking its starting point from issues of contemporary relevance, such as the environment, the identity of the artist, and the position of women, the book also highlights the attitudes and events specific to the sophisticated visual culture of the Middle Ages, and goes on to link this period to the Renaissance. The fascinating question of whether commercial and social activities between countries encouraged similar artistic taste and patronage, or contributed to the defining of cultural difference in Europe, is fully explored.
Presents a collection of antiquities from medieval Europe. This title features 150 important objects, including the most famous such as the Lewis chessmen, the Borradaile triptych, the St Eustace head reliquary, the Royal Gold Cup, the Royal Gittern and medieval court art from the palaces of Westminster and Clarendon as well as impressive pieces.
Presents a collection of images from Medieval illuminated manuscripts, along with a DVD which contains each image in three different sizes to use in a variety of clip art projects.
Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.