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Excerpt from Catalogue of Lot Owners in the Cemetery of Mount Auburn, 1891 Norm - Deceased lot owners are indicated by': [r] denotes lots reconveyed to the corporation in trust; (r) denotes rear lots. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
When Mount Auburn opened as the first “rural” cemetery in the United States in 1831, it represented a new way for Americans to think about burial sites. It broke with conventional notions about graveyards as places to bury and commemorate the dead. Rather, the founders of Mount Auburn and the spate of similar cemeteries that followed over the next three decades before the Civil War created institutions that they envisioned being used by the living in new ways. Cemeteries became places for leisure, communing with nature, and creating a version of collective memory. In fact, these cemeteries reflected changing values and attitudes of Americans spanning much of the nineteenth century. In the process, they became paradoxical: they were “rural” yet urban, natural yet designed, artistic yet industrial, commemorating the dead yet used by the living. The Rural Cemetery Movement: Places of Paradox in Nineteenth-Century America breaks new ground in the history of cemeteries in the nineteenth century. This book examines these “rural” cemeteries modeled after Mount Auburn that were founded between the 1830s and 1850s. As such, it provides a new way of thinking about these spaces and new paradigm for seeing and visiting them. While they fulfilled the sacred function of burial, they were first and foremost businesses. The landscape and design, regulation of gravestones, appearance, and rhetoric furthered their role as a business that provided necessary services in cities that went well beyond merely burying bodies. They provided urban green spaces and respites from urban life, established institutions where people could craft their roles in collective memory, and served as prototypes for both urban planning and city parks. These cemeteries grew and thrived in the second half of the nineteenth century; for most, the majority of their burials came before 1910. This expansion of cemeteries coincided with profound urban growth in the United States. Unlike their predecessors, founders of these burial grounds intended them to be used in many ways that reflected their views and values about nature, life and death, and relationships. Emphasis on worldly accomplishments increased with industrialization and growth in the United States, which was reflected in changing ways people commemorated their dead during the period under this study. Thus, these cemeteries are a prism through which to understand the values, attitudes, and culture of urban America from mid-century through the Progressive Era.
The tension between nature and culture, which accompanies the rise of any large society, has become a subject of great concern in our time. In this compelling study, Gunther Barth, acclaimed author of City People: The Rise of Modern City Culture in Nineteenth-Century America, identifies fleeting moments of concord between nature and culture in the course of American history. During the search for the Wilderness Passage, the progress of the Lewis and Clark expedition, and the building of park cemeteries and big city parks, Americans realized that nature was not merely a force to be reckoned with, not merely a resource to be exploited, but also an integral component of their lives. Through the engineering of nature and culture in the urban environment, the energetic attempts to conserve large-scale nature in the United States emerged as an offspring of the big city. Heightening our understanding of the historical complexity of the relationship between nature and culture, and suggesting that harmony between the two is a mark of civilization, this original study will be an invaluable guide to anyone concerned with the quality of life in America, past and future.