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This book describes the life and achievements of the eighteenth-century Scottish physician William Hunter and outlines the history of the Museum named after him. William Hunter built up a wide-ranging private collection at his home in London, encompassing not only anatomical and pathological specimens related to his medical work, but also books and manuscripts, coins and medals, natural history specimens and artworks. On his death in 1783 he bequeathed the collection to the University of Glasgow where he had long ago been a student, and money to construct a Museum which opened in 1807. The book utilises a wide range of source material, much of it previously unpublished, to tell the story of the Museum's development, the many subsequent additions to its holdings and, more recently, the construction of a new Hunterian Art Gallery which houses not only Hunter's own collection but also numerous works be James McNeill Whistler and Charles Rennie Mackintosh. The Museum is celebrating its bicentenary in 2007.There is a foreward contributed by Sir Kenneth Calman, Chancellor of the University of Glasgow, and formerly Government Chief Medical Officer and Vice-Chancellor of the University of Durham
Born in Scotland, Dr William Hunter (1718-83) pursued an extensive medical education in Glasgow, Edinburgh, London and Paris. He settled in London where he made his name as an anatomist and obstetrician before being elected to the Royal Society in 1767. This book presents all of his known correspondence, drawing upon archives around the world.
This catalogue of The McGill University Collection of Greek and Roman Coins brings together reprints of three volumes. The Roman catalogue of Volume I is by D.H.E. Whitehead (1975). Volume I also contains a Roman Supplement by Vivien Law and a short history of the collection by John Sullivan. Volume II (1975), by Prof. Shlosser, lists the gold and silver ancient Greek coins. The third and last volume (1984), also by Prof. Shlosser, contains the ancient Greek (including Judean and Indian) bronze coins and the Greek Imperials. Some silver coins are present. In Volume III are a Supplement by Louise Cass-Conrad of the Roman coins not in Volume I and Corrigenda to Volumes I and II. The volumes are richly illustrated with plates. The published collection consists of 1,763 coins, almost equally divided between Greek and Roman. This combined catalogue is unusual because so few university coin collections have ever been fully catalogued and published and is outstanding on account of its diversity. One may say that nearly all time periods and mints are represented. Study of the catalogue will be repaid with knowledge of examples of most kinds of ancient Greek and Roman coinage. The McGill Collection will be of interest to numismatists, including collectors, dealers and museum curators, as well as to historians of the ancient world.
Coins were the most deliberate of all symbols of public communal identities, yet the Roman historian will look in vain for any good introduction to, or systematic treatment of, the subject. Sixteen leading international scholars have sought to address this need by producing this authoritative collection of essays, which ranges over the whole Roman world from Britain to Egypt, from 200 BC to AD 300. The subject is approached through surveys of the broad geographical and chronological structure of the evidence, through chapters which focus on ways of expressing identity, and through regional studies which place the numismatic evidence in local context.
Proceedings of the Numismatic Society form a separately paged section of each vol.
Museums and collecting is now a major area of cultural studies. This selected group of key texts opens the investigation and appreciation of museum history. Edward Edwards, chief pioneer of municipal public libraries, chronicles the founders and early donors to the British Museum. Greenwood and Murray provide informative pictures of the early history of the museum movement. Sir William Flower, Director of the British Museum (Natural History), takes a pioneering philosophical approach to the sphere of natural history in relation to museums. Similarly, Acland and Ruskin discuss and explore the relationships of art and architecture to museums.