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This volume describes and illustrates the group of court swords and hunting swords that form part of the collection of arms exhibited by The Metropolitan Museum of Art. The text describes the different types of swords and daggers and provides useful charts and illustrations that promote an understanding of the objects in their original context.
This catalogue features daggers in numerous examples dating from the fourteenth to the eighteenth century and provides a history of not only the daggers in The Metropolitan Museum of Art's collection, but also the broader history of daggers in general. The illuminating text traces the dagger's development and mode of use throughout the time period while also differentiating it from concurrent development of swords. Included in the text are helpful line illustrations that better show the form and decoration of the daggers, accompanied by a plate section, which allows for easy comparison of the works.
This catalogue features daggers in numerous examples dating from the fourteenth to the eighteenth century and provides a history of not only the daggers in The Metropolitan Museum of Art's collection, but also the broader history of daggers in general. The illuminating text traces the dagger's development and mode of use throughout the time period while also differentiating it from concurrent development of swords. Included in the text are helpful line illustrations that better show the form and decoration of the daggers, accompanied by a plate section, which allows for easy comparison of the works.
This book investigates the relationship between the ideas of nation and race among the nationalist intelligentsia of the Italian Risorgimento and argues that ideas of race played a considerable role in defining Italian national identity. The author argues that the racialization of the Italians dates back to the early Napoleonic age and that naturalistic racialism—or race-thinking based on the taxonomies of the natural history of man—emerged well before the traditionally presumed date of the late 1860s and the advent of positivist anthropology. The book draws upon a wide number of sources including the work of Vincenzo Cuoco, Giuseppe Micali, Adriano Balbi, Alessanro Manzoni, Giandomenico Romagnosi, Cesare Balbo, Vincenzo Gioberti, and Carlo Cattaneo. Themes explored include links to antiquity on the Italian peninsula, archaeology, and race-thinking.