Download Free Catalogue Of Engravings Including A Collection Of Portraits In Mezzotint Stipple Line And Colours Many Rare Fancy Subjects Of The Early English School Fine Mezzotints Rare Topography Sporting Subjects Caricatures And Naval And Military Scenes Early Line Woodcuts And Etchings By The Old Masters Etc Etc And Water Colour Drawings Also Valuable Engraved Plates And The Copyrights The Property Of Messrs Fishel Adler Schwartz Of New York Book in PDF and EPUB Free Download. You can read online Catalogue Of Engravings Including A Collection Of Portraits In Mezzotint Stipple Line And Colours Many Rare Fancy Subjects Of The Early English School Fine Mezzotints Rare Topography Sporting Subjects Caricatures And Naval And Military Scenes Early Line Woodcuts And Etchings By The Old Masters Etc Etc And Water Colour Drawings Also Valuable Engraved Plates And The Copyrights The Property Of Messrs Fishel Adler Schwartz Of New York and write the review.

This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.
Reproduction of the original: Naturalistic Photography For Students of the Art by P.H Emerson