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Presents 50 selected highlights of this world-renowned collection ... The accompanying text gives brief details and draws out their most significant features"--Cover flap.
This classic guide to Chinese jade is of great interest to art collectors and casual readers alike. First published in 1936 and since then a collector's item of increasing rarity, Chinese Jade Throughout the Ages comprises a review of the characteristics, decorations, folklore, and symbolism of this esteemed mineral that has always held a proud place among gems of the world. The book presents a full descriptive account of the significance and meaning of the carvings produced in this prize stone by Chinese craftsmen from the earliest times, through the Chou and succeeding dynasties, down to the twentieth century. The text is illustrated with a magnificent series of more than 350 reproductions in color, black and white, and line drawings of choice pieces selected from the chief Asian, European, and American collections. In addition the Chinese art history book explains no only the wealth of symbolic designs used in the decoration of jade but also a large number of the marks and devices by which collectors identify the origin and the date of valued pieces.
First published in 1935, this book was intended to provide westerners with a more definite and comprehensive understanding of Chinese Art and its achievements. Newly available opportunities to study authentic examples, such as the Royal Academy exhibition that provided the impetus for this volume, allowed for greater opportunities to conduct in-depth examination than had previously been possible. Following an introduction giving an overview of Chinese art and its history in the west, six chapters cover painting and calligraphy, sculpture and lacquer, ‘the potter’s art’, bronzes and cloisonné enamel, jades, and textiles — supplemented by a chronology of Chinese epochs, a selected bibliography and 25 images.
"Chinese decorative, pictorial, and architectural forms, often approached as separate traditions, are here explained as a broad artistic movement and contextualized as part of a well-defined cultural and political tradition. The book begins with the first comprehensive explanation of "ritual art." This native genre encompasses ceremonial pottery, jades, and bronzes, which, though often small and hidden, manifest a unique sense of the monumental. The author traces the decline of this archaic tradition and the corresponding rise of palatial and funerary monuments against the background of China's transition from a network of principalities to a unified political state." "He portrays the continual reinvention of the city in China as he analyzes the history of the Western Han capital, Chang'an, and brings to life the individual motives of builder, mourner, and deceased in discussing the unprecedented construction and decoration of mortuary monuments during the Eastern Han. The book concludes by reexamining what is arguably the most important event in Chinese art history: the appearance of individual artists during the post-Han period and their transformation of public monumental art into a private idiom."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved