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Beautifully produced, this comprehensive catalogue of 100 selected items from Dr. Dean Edell Collection consists of two sections: 32 Chinese works of art both imperial and scholarly, including screens, brushes, inkstones, jade carvings and related items, and a separate section devoted to Chinese snuff bottles. The bottles are largely Imperial workshop jade snuff bottles of the Qianlong period, offering various shape and design associated with Palace workshops. Incised poetry by Emperor Qianlong fully translated offers an insight to period thoughts. The Collection also includes some items from the famous Erik Hancock Collection and those illustrated in Bob Steven's Collector's Book of Snuff Bottles.
This reference work covers general works, ornament, folk art, arms and armour, ceramics, clocks and automata, costumes, enamels, furniture, glass, leather, metalwork, musical instruments, textiles, dolls and more. Essentially a new work rather than a revision, this annotated bibliography on the history of applied and decorative arts includes over 3000 descriptive entries on books written in western European languages. More than 1000 of these entries are new to the second edition, and approximately half are titles published since 1977. The remainder represent a significant expansion in breadth and depth of the bibliography, with the addition of nearly 500 titles of exhibition and museum catalogues and price guides.
Dehua porcelain, or Blanc de Chine as it is known in the West, is pure ivory-white porcelain made at the Dehua kilns in the southern Chinese province of Fujian. It rose to international significance in the 17th century and inspired aristocratic patronage in the development of European porcelain. Its popularity at home and abroad continued and the k
The Getty Museum’s large and exceptional collection of oriental porcelain embellished with Parisian gilt bronze or silver is comprehensively illustrated in this revised catalogue. The European practice of mounting exotic objects such as oriental porcelain dates from the Middle Ages and found its height of expression during the seventeenth and eighteenth centuries, when Chinese and Japanese porcelains reached the West in considerable quantities. To meet the growing taste for such objects in fashionable Parisian society, marchands-merciers—guild members who combined the functions of the modern interior decorator, antique dealer, and picture dealer—devised ingenious settings in silver and gilt bronze for oriental porcelains, adapting their exotic character to the French interiors of the period. With the publication of this catalogue, the beauty and rarity with which buyers of these pieces were so enamored is vividly brought to life.
Illuminating one thousand years of history, The Pilgrim Art explores the remarkable cultural influence of Chinese porcelain around the globe. Cobalt ore was shipped from Persia to China in the fourteenth century, where it was used to decorate porcelain for Muslims in Southeast Asia, India, Persia, and Iraq. Spanish galleons delivered porcelain to Peru and Mexico while aristocrats in Europe ordered tableware from Canton. The book tells the fascinating story of how porcelain became a vehicle for the transmission and assimilation of artistic symbols, themes, and designs across vast distances—from Japan and Java to Egypt and England. It not only illustrates how porcelain influenced local artistic traditions but also shows how it became deeply intertwined with religion, economics, politics, and social identity. Bringing together many strands of history in an engaging narrative studded with fascinating vignettes, this is a history of cross-cultural exchange focused on an exceptional commodity that illuminates the emergence of what is arguably the first genuinely global culture.