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This volume documents the Getty Museum's important holdings of Vincennes and Sèvres porcelain. Entries are arranged in chronological order and include descriptions, commentary, and a complete bibliography and exhibition list. Every object is illustrated in color and all incised and painted marks are reproduced. The volume also includes an index of painters, gilders, and previous owners.
The popular image of Scotland is dominated by widely recognized elements of Celtic culture. But a significant non-Celtic influence on Scotland's history has been largely ignored for centuries? This book argues that much of Scotland's history and culture from 1100 forward is Jewish. The authors provide evidence that many of the national heroes, villains, rulers, nobles, traders, merchants, bishops, guild members, burgesses, and ministers of Scotland were of Jewish descent, their ancestors originating in France and Spain. Much of the traditional historical account of Scotland, it is proposed, rests on fundamental interpretive errors, perpetuated in order to affirm Scotland's identity as a Celtic, Christian society. A more accurate and profound understanding of Scottish history has thus been buried. The authors' wide-ranging research includes examination of census records, archaeological artifacts, castle carvings, cemetery inscriptions, religious seals, coinage, burgess and guild member rolls, noble genealogies, family crests, portraiture, and geographic place names.
Margarita Diaz-Andreu offers an innovative history of archaeology during the nineteenth century, encompassing all its fields from the origins of humanity to the medieval period, and all areas of the world. The development of archaeology is placed within the framework of contemporary political events, with a particular focus upon the ideologies of nationalism and imperialism. Diaz-Andreu examines a wide range of issues, including the creation of institutions, the conversion of thestudy of antiquities into a profession, public memory, changes in archaeological thought and practice, and the effect on archaeology of racism, religion, the belief in progress, hegemony, and resistance.
The Museum’s outstanding collection of maiolica is significant because most of the major pottery centers, maiolica forms, and styles are represented. This current catalogue presents the collection in a chronological progression according to stylistic trends. Lavish color plates accompany the detailed entries
EXPLORIMKimE DANGEROUS TRADES c y n y ALICE HAMILTON, M. D. Illustrations by Norah Hamilton AN ATLANTIC MONTHLY PRESS BOOK UTTLK, BROWN AND COMPANY BOSTON To My Three Sisters And My Brother The author is indebted to the Atlantic, Harpers, the American Mercury, and Survey Graphic for per mission to use certain material which appeared originally in the pages of those magazines. e, ontents I Introduction 3 II The Old House 18 III I Chose Medicine 38 IV Hull-House Within 57 V Hull-House Without 76 VI Lawyers and Doctors 95 VII The Illinois Survey 114 VIII The Federal Survey 127 IX Smelting, Enameling, and Painting 138 X Europe in 1915 161 XI War Industries 183 XII Dead Fingers 200 XIII Arizona Copper 208 XIV Europe in 1919 223 XV Boston 252 XVI Social Trends 290 XVII The League of Nations 299 XVIII Russia in 1924 318 XIX The Lawrence Strike 353 XX Germany, 1933 360 Contents XXI Viscose Rayon 387 XXII Germany in 1938 395 XXIII Hadlyme 405 Index 429 Alice Hamilton Frontispiece Old Hamilton Homestead in Fort Wayne 22 Jane Addanis 64 Working Women at a Union Meeting 82 Lead Smelter in Utah 122 Concentrating Mill and Heaps of Tailings in Tri-State Region 146 Canaries in a Picric-Acid Plant 186 Steel Mill on the River 258