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Ancient finds from the Maltese islands are rare, and those held in the British Museum form an important collection. Represented is a wide cultural range, spanning the Early and Late Neolithic, the Bronze Age, Roman and more recent historic periods.
Ancient artefacts that comprise the private collections of Malta came largely from the Phoenician and later Punic burial grounds of the archipelago. In many respects, the perception of the island's ancient population as depicted in recent historic accounts has suffered from a limited knowledge of what has been found in the islands over the last few centuries. Co-authored with Isabelle Vella Gregory and Anton Bugeja, this book forms a companion volume to Claudia Sagona's “The Archaeology of Punic Malta (2002, Peeters) and “Punic Antiquities of Malta and Other Ancient Artefacts Held in Ecclesiastic and Private Collections (2003, Peeters). More than 700 objects, many brought into the public arena for the first time, are documented in this volume. The artefacts are held in three collections: that of Joseph Attard Tabone, of the Palazzo Parisio (Naxxar) and of St George's Parish Church (Qormi). While much of the material is characteristically Phoenician and Punic, imported Cypriot, Greek, Italian and other wares demonstrate that the islands were drawn into the ancient economic and political exchanges of the Mediterranean region.
The Maltese archipelago is a unique barometer for understanding cultural change in the central Mediterranean. Prehistoric people helped reshape the islands' economy and when Mediterranean maritime highways were being established, the islands became a significant lure to Phoenician colonists venturing from their Levantine homeland. Punic Malta also sat at the front line of regional hostilities until it fell to Rome. Preserved in this island setting are signs of people's endurance and adaptation to each new challenge. This book is the first systematic and up-to-date survey of the islands' archaeological evidence from the initial settlers to the archipelago's inclusion into the Roman world (c.5000 BC–400 AD). Claudia Sagona draws upon old and new discoveries and her analysis covers well-known sites such as the megalithic structures, as well as less familiar locations and discoveries. She interprets the archaeological record to explain changing social and political structures, intriguing ritual practices and cultural contact through several millennia.
An incomparable interdisciplinary study of the history of Judah Experts from a variety of disciplines examine the history of Judah during the seventh century BCE, the last century of the kingdom’s existence. This important era is well defined historically and archaeologically beginning with the destruction layers left behind by Sennacherib’s Assyrian campaign (701 BCE) and ending with levels of destruction resulting from Nebuchadnezzar’s Babylonian campaign (588-586 BCE). Eleven essays develop the current ongoing discussion about Judah during this period and extend the debate to include further important insights in the fields of archaeology, history, cult, and the interpretation of Old Testament texts. Features A new chronological frame for the Iron Age IIB-IIC Close examinations of archaeology, texts, and traditions related to the reigns of Hezekiah, Manasseh, and Josiah An evaluation of the religious, cultic, and political landscape /UL
This collection of essays provides a reassessment of the multifaceted evidence which emerged from excavations carried out in 1909 and 1959 in the settlement of Bahrija, both largely unpublished until now. Bahrija is a key site for understanding the later stages of Maltese prehistory before the beginning of the Phoenician colonial period.
In this book, Ellen Swift uses design theory, previously neglected in Roman archaeology, to investigate Roman artefacts in a new way, making a significant contribution to both Roman social history, and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behaviour, and experience. The concept of 'affordances'-features of an artefact that make possible, and incline users towards, particular uses for functional artefacts-is an important one for the approach taken. This concept is carefully evaluated by considering affordances in relation to other sources of evidence, such as use-wear, archaeological context, the end-products resulting from artefact use, and experimental reconstruction. Artefact types explored in the case studies include locks and keys, pens, shears, glass vessels, dice, boxes, and finger-rings, using material mainly drawn from the north-western Roman provinces, with some material also from Roman Egypt. The book then considers how we can use artefacts to understand particular aspects of Roman behaviour and experience, including discrepant experiences according to factors such as age, social position, and left- or right-handedness, which are fostered through artefact design. The relationship between production and users of artefacts is also explored, investigating what particular production methods make possible in terms of user experience, and also examining production constraints that have unintended consequences for users. The book examines topics such as the perceived agency of objects, differences in social practice across the provinces, cultural change and development in daily practice, and the persistence of tradition and social convention. It shows that design intentions, everyday habits of use, and the constraints of production processes each contribute to the reproduction and transformation of material culture.
The current conception of the absolute chronology of the Italian Copper Age to the end of the Early Iron Age is set out in this new title from the British Museum. Some 850 objects have been arranged chronologically from the Copper Age, through the Bronze Age, to the Early Iron Age. Within these headings, the objects are organised typologically e.g. axes, swords etc. A major result of this study has been the reassembly of several groups of bronzes probably originally from hoards. Each entry includes a description, bibliogrpahy and comparanda and line drawing or photgraph.
Based on the author's doctoral dissertation, this large volume presents data and interpretation on the archaeology of Punic Malta, c.900BC to c.AD200.
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.