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Commonly referred to as the Armory Show, the International Exhibition of Modern Art in 1913 was an enormous art exhibit featuring the works of early modern artists from Impressionism to Expressionism. The show was an important event in the history of American art, introducing the American public, who were accustomed to realistic art, to the experimental styles of the European avant-garde, including Fauvism, Cubism and Futurism. The show influenced American artists to work in these modern styles. Some of the well-known artists featured in this exhibit include Marcel Duchamp, Camille Pissarro, Mary Cassatt, Paul Cezanne, Paul Gauguin and Wassily Kandinsky.
Ter gelegenheid van een tentoonstelling in de Arthur Ross Architectural Gallery, Buell Hall van 9 maart tot 2 mei 1992.
The most influential work of architectural criticism and history of the twentieth century, now available in a handsomely designed new edition.
"Published on the occasion of the exhibition International Pop, organized by Darsie Alexander with Bartholomew Ryan for the Walker Art Center, Minneapolis."
Timeless Painting presents the work of 17 contemporary painters whose works reflect a singular approach that is peculiarly of our time: they are a-temporal, a term coined by William Gibson and Bruce Sterling, the originators of the cyberpunk aesthetic. A-temporality or timelessness manifests itself in painting as an ahistoric free-for-all, where contemporaneity as an indicator of new form is nowhere to be found, and all eras co-exist. Published to accompany an exhibition at The Museum of Modern Art that explores the impact of this cultural condition on contemporary painting, this publication features work by an international roster of artists including Joe Bradley, Kerstin Brätsch, Matt Connors, Nicole Eisenman, Mark Grotjahn, Charline von Heyl, , Julie Mehretu, Oscar Murillo, Laura Owens and Josh Smith, among others. An overview essay by curator Laura Hoptman is divided into thematic chapters that explore topics such as re-animation and reenactment, recontextualization, 'Zombie' painting, and the concomitant 'Frankenstein approach', which describes a process of stitching together pieces of the history of painting to create a work of art that would be dead but for its juxtaposed parts, all working in association with one another to propel the work into life.
Essay by Robert Storr. Foreword by Glenn D. Lowry.
Modern Art on Display: The Legacies of Six Collectors is structured as a sequence of case studies that pair collectors of modern art with artists they particularly favored: Duncan Phillips and Augustus Vincent Tack; Albert Barnes and Chaim Soutine; Albert Eugene Gallatin and Juan Gris; Lillie Bliss and Paul Cézanne; Etta Cone and Henri Matisse; G. David Thompson and Paul Klee. The case studies are linked by a thematic focus on the integral relationship between the collectors’ acquired knowledge about the work they amassed and their innovative display models. This focus brings a new perspective to the history of collecting and interpreting modern art in America for nearly half a century (1915-1960). By examining the books the collectors themselves read and analyzing archival photographs of their displays, the author makes a case for the historical significance of how the collectors presented the art they acquired before their collections were institutionalized.
Recognized as a major figure in postwar American painting, Richard Diebenkorn (1922-1993) was an artist strongly identified with California. Published to coincide with the first retrospective of Diebenkorn's work since his death, this catalog is the most comprehensive volume on the artist now available. 192 color illustrations.