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Scientifically estimated to be the oldest relics in the world. A short history of the strange race, region, and ruins.
"Solid history and archaeology combines with an understated call to preserve Bears Ears—all of it, not just a sliver." —KIRKUS REVIEWS FOREWORD INDIES WINNER, EDITOR'S CHOICE PRIZE NONFICTION For more than twelve thousand years, the redrock landscape of southeastern Utah has shaped the lives of everyone who calls it home. R. E. Burrillo takes readers on a journey of discovery through the stories and controversies that make this place so unique, from traces of its earliest inhabitants through its role in shaping the study of archaeology itself—and into the modern battle over its protection. R. E. BURRILLO is an archaeologist and conservation advocate. His writing has appeared in Archaeology Southwest, Colorado Plateau Advocate, the Salt Lake Tribune, and elsewhere. He splits his time between Salt Lake City, Utah, and Flagstaff, Arizona.
Cover -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Introduction: Willa Cather at the Modernist Crux -- Prologue: Gifts from the Museum: Catherian Epiphanies in Context -- Part 1. Beginnings -- 1. The Compatibility of Art and Religion for Willa Cather: From the Beginning -- 2. Thea in Wonderland: Willa Cather's Revision of the Alice Novels and the Gender Codes of the Western Frontier -- 3. Ántonia and Hiawatha: Spectacles of the Nation -- Part 2. Presences -- 4. Willa Cather, Howard Pyle, and "The Precious Message of Romance"--5. "Then a Great Man in American Art": Willa Cather's Frederic Remington -- 6. Willa Cather, Ernest L. Blumenschein, and "The Painting of Tomorrow" -- 7. From The Song of the Lark to Lucy Gayheart, and Die Walküre to Die Winterreise -- 8. The Trafficking of Mrs. Forrester: Prostitution and Willa Cather's A Lost Lady -- 9. The Outlandish Hands of Fred Demmler: Pittsburgh Prototypes in The Professor's House -- 10. Translating the Southwest: The 1940 French Edition of Death Comes for the Archbishop -- Part 3. Articulation: The Song of the Lark -- 11. Elements of Modernism in The Song of the Lark -- 12. "The Earliest Sources of Gladness": Reading the Deep Map of Cather's Southwest -- 13. Re(con)ceiving Experience: Cognitive Science and Creativity in The Song of the Lark -- 14. Women and Vessels in The Song of the Lark and Shadows on the Rock -- Epilogue: The Difference That Letters Make: A Meditation on The Selected Letters of Willa Cather -- Contributors -- Index
Cover -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Introduction: Willa Cather at the Modernist Crux -- Prologue: Gifts from the Museum: Catherian Epiphanies in Context -- Part 1. Beginnings -- 1. The Compatibility of Art and Religion for Willa Cather: From the Beginning -- 2. Thea in Wonderland: Willa Cather's Revision of the Alice Novels and the Gender Codes of the Western Frontier -- 3. Ántonia and Hiawatha: Spectacles of the Nation -- Part 2. Presences -- 4. Willa Cather, Howard Pyle, and "The Precious Message of Romance"--5. "Then a Great Man in American Art": Willa Cather's Frederic Remington -- 6. Willa Cather, Ernest L. Blumenschein, and "The Painting of Tomorrow"--7. From The Song of the Lark to Lucy Gayheart, and Die Walküre to Die Winterreise -- 8. The Trafficking of Mrs. Forrester: Prostitution and Willa Cather's A Lost Lady -- 9. The Outlandish Hands of Fred Demmler: Pittsburgh Prototypes in The Professor's House -- 10. Translating the Southwest: The 1940 French Edition of Death Comes for the Archbishop -- Part 3. Articulation: The Song of the Lark -- 11. Elements of Modernism in The Song of the Lark -- 12. "The Earliest Sources of Gladness": Reading the Deep Map of Cather's Southwest -- 13. Re(con)ceiving Experience: Cognitive Science and Creativity in The Song of the Lark -- 14. Women and Vessels in The Song of the Lark and Shadows on the Rock -- Epilogue: The Difference That Letters Make: A Meditation on The Selected Letters of Willa Cather -- Contributors -- Index
"This constitutes the third edition of the original catalogue issued by Dr. Munk in 1900 and 1908. The first contained a few hundred volumes, the second about 1000; the present includes several thousand items, and is accompanied by a subject index"--Foreword, page 11.
"The two reports published here contain elements which contribute substantially to this broader spectrum of Southwestern cultural change. While primarily descriptive in nature, these two site reports, one from the western Kayenta area and one from the margin of the Mesa Verde area and the eastern Kayenta, suggest that the changes which occurred in the more centralized portions of these regions were directly related to what happened on the margins. That, while the site densities and population aggregates may not have been as high, the same factors affected these marginal areas. That conclusion could be expected, but what may not be expected is the differential response which appears to have occurred. After reading these two reports, it appears that it may be possible to discern elements of change in these fringe areas that, once defined, will provide new insight into what happened and why and in what are presently the better known areas of the Southwest. These two papers are important, in sum, not only because they are reports of work in poorly known areas, but because they do provide analyses of fringe areas, they help us to understand the Southwest generally"--From preliminary introduction.