Download Free Catalogue Of A Collection Of Valuable Engravings Framed And In The Portfolio Comprising A Collection Of Portraits After Sir J Reynolds Etc Mezzotint Other Portraits After Sir J Reynold Hoppner A Kauffmann G Romney C Engravings After Old Masters Including A Collection Of Etchings By Rembrandt Etc A Few Oil Paintings And Water Colour Drawings Sothebys 1902 Book in PDF and EPUB Free Download. You can read online Catalogue Of A Collection Of Valuable Engravings Framed And In The Portfolio Comprising A Collection Of Portraits After Sir J Reynolds Etc Mezzotint Other Portraits After Sir J Reynold Hoppner A Kauffmann G Romney C Engravings After Old Masters Including A Collection Of Etchings By Rembrandt Etc A Few Oil Paintings And Water Colour Drawings Sothebys 1902 and write the review.

Catalogue of Old and Modern Engravings. First Day's Sale, Portraits in Mezzotint, After Sir Wm. Beechey, T. Gainsborough, J. Hoppner, Sir T. Lawrence, Sir J. Reynolds, G. Romney, Etc.; Plates from J. M. W. Turner's Liber Studiorum; Topographical Prints, Principally in Colours, & Drawings, the Property of Cornelia, Countess of Craven, from the Coombe Abbey Collection, Swiss Views in Colours, the Property of Lt.-Col. G. J. Scovell, Volumes of Portraits, Fancy Subjects, Etc.. Second Day's Sale, Modern Engravings, the Property of a Gentleman, Including Impressions, Principally Artists' Proofs, After John Constable, Sir E. Burne-Jones, B. W. Leader, Sir Leighton, Sir J. E. Millais, Meissonier, Sir L. Alma-Tadema, G. F. Watts, Etc., Sporting Subjects, Printed in Colours, the Property of J. Deighton Patmore, Esq., of 72, Ladbroke Road, Holland, Park, W., Portraits in Colours by F. Bartolozzi, After Sir J. Reynolds; Plates from J. M. W. Turner's Liber Studiorum, the Property of a Lady

Published: 1923

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In the hauntingly beautiful sculptures of Tilmann Riemenschneider, the Late Gothic art of Germany achieved its highest expression. Now, for the first time in English, the eminent art historian Justus Bier accords Riemenschneider the extended attention he so richly deserves. Riemenschneider (ca. 1460–1531) holds a pivotal place in the development of German art. Rejecting the anonymous soulfulness of earlier Gothic sculpture, he created a style reflecting the deeply spiritual character of his time, yet one that also anticipated the humanism of the Italian Renaissance so soon to revolutionize European art. Bier crowns a lifelong study with this reconsideration of Reimenschneider's life and work, with emphasis on works in North American museums. More than 140 photographs illustrate 46 of the artist's major sculptures.