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Examines the work of one of the leading figures of the Arts and Crafts Movement in America, looking at the role of his ceramic murals, pavings, and sculptural reliefs in the reform of architectural decoration in the early 20th century.
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When magic and superpowers emerge in the masses, Wendy Deere is contracted by the government to bag and snag supervillains in Hugo Award-winning author Charles Stross' Dead Lies Dreaming: A Laundry Files Novel. As Wendy hunts down Imp—the cyberpunk head of a band calling themselves “The Lost Boys”— she is dragged into the schemes of louche billionaire Rupert de Montfort Bigge. Rupert has discovered that the sole surviving copy of the long-lost concordance to the one true Necronomicon is up for underground auction in London. He hires Imp’s sister, Eve, to procure it by any means necessary, and in the process, he encounters Wendy Deere. In a tale of corruption, assassination, thievery, and magic, Wendy Deere must navigate rotting mansions that lead to distant pasts, evil tycoons, corrupt government officials, lethal curses, and her own moral qualms in order to make it out of this chase alive. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In Islamic law the world was made up of the 'House of Islam' and the 'House of War' with the Ottoman Sultan - successor to the early Caliphs - as supreme ruler of the Islamic world. However, in this ground-breaking study of the Ottoman Empire in the early modern period, Suraiya Faroqhi demonstrates that there was no 'iron curtain' between the Ottoman and 'other' worlds but rather a long-established network of connections - diplomatic, trading and financial., cultural and religious. These extended beyond regional contacts to the empires of Asia and the burgeoning 'modern' states of Europe - England, France, the Netherlands and Venice. Of course, military conflict was a constant factor in these relationships, but the overriding reality was 'one world' and contact between cultured and pragmatic elites - even 'gentlemen travelling for pleasure' - as well as pilgrimage and close artistic contact with the European Renaissance. Faroqhi's book is based on a huge study of original and early modern sources, including diplomatic records, travel and geographical writing, as well as personal accounts. Its breadth and originality will make it essential reading for historians of Europe and the Middle East.