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"Highlighting recent projects, Norman Foster: Catalogue traces the development of the Foster studio from its formation in the 1960s to the present. More than 120 buildings and projects are featured in stunning full-color photographs and complemented by architectural sketches and drawings. The book examines the distinctive features of Foster's work and shows the full range of the practice's achievements as urban planners, architects, and industrial designers." "Including numerous current works, unbuilt projects such as Foster's design for the World Trade Center competition, as well as buildings that showcase the essential characteristics of Foster's distinctive design philosophy, this book presents the most comprehensive overview of the renowned architect's career to date." --Book Jacket.
- Featuring photography of every completed work from the practice's first fifty years - from Reliance Controls in 1967 to Comcast in 2017 - Foster + Partners Portfolio is the only comprehensive book on the complete work of the renowned practice ever published - Foster + Partners Portfolio features previously unpublished photography and drawings of some of the practice's most significant built and unbuilt work - Features Foster + Partners' recent work, including the European headquarters of Bloomberg in London - winner of the 2018 RIBA Stirling Prize - The book opens with a foreword from Norman Foster - the Pritzker Prize-winning founder and executive chairman of Foster + Partners - Essays from respected writer, curator and consultant Peter Buchanan offer fresh insight into the practice and its exacting standards of design, sustainability, innovation and excellence - Foster + Partners Portfolio is the first in a new line of publications produced directly by the award-winning practice Foster + Partners Portfolio is a complete and extraordinary account of the first fifty years of Foster + Partners - a globally renowned studio for sustainable architecture, urbanism and design. Over the past half-century, the practice - founded as Foster Associates in 1967 - has grown into a multi-disciplinary studio, motivated by sustainable design and leading through creativity and innovation. This book provides a beautiful visual record that celebrates the practice's remarkable breadth of works - both built and unbuilt. For the first time ever, Portfolio features photography of every project completed in the practice's first five decades, as well as drawings of its most important unrealized designs. Through over 480 carefully edited images - many previously unpublished - the book highlights the enormous contribution the practice has made to a range of design disciplines. Portfolio is delineated into five decade-long chapters, spanning from 1967 to 2017. Photographic pairings, acting as a chronological record of over 340 built works, provide the book's visual narrative. Drawings of unbuilt works appear at the end of each decade, celebrating the people behind the projects and hinting at the depth of ideas that permeate the practice. By placing projects side-by-side that would not normally be seen together, the book offers new readings of Foster + Partners' oeuvre. Always thought-provoking, often surprising and sometimes humorous, the juxtaposed photographs and drawings have been chosen to illuminate evolving design ideas rather than detail the finished architecture. Connected by color and light, or contrasted by form and function, the image pairings are shown without the responsibility of spatial explanation. This abstraction puts the viewer close to the creative spark of the architect and offers a unique insight into one of the most inventive studios in the world.
The works of Norman Foster from 1993 - 2004 are the focus of this book, the fifth instalment of a multi-volume retrospective. The text about each project is accompanied by colour photographs and detailed plans.
Fabricate 2020 is the fourth title in the FABRICATE series on the theme of digital fabrication and published in conjunction with a triennial conference (London, April 2020). The book features cutting-edge built projects and work-in-progress from both academia and practice. It brings together pioneers in design and making from across the fields of architecture, construction, engineering, manufacturing, materials technology and computation. Fabricate 2020 includes 32 illustrated articles punctuated by four conversations between world-leading experts from design to engineering, discussing themes such as drawing-to-production, behavioural composites, robotic assembly, and digital craft.
The Global Architect explores the increasing significance of globalization processes on urban change, architectural practice and the built environment. In what is primarily a critical sociological overview of the current global architectural industry, Donald McNeill covers the "star system" of international architects who combine celebrity and hypermobility, the top firms, whose offices are currently undergoing a major global expansion, and the role of advanced information technology in expanding the geographical scope of the industry.
The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.
KEYNOTE:From initial sketches to final project, this book documents the "reinvention" of the British Museum's Great Court. One of the world's greatest institutions of learning and art, the British Museum sees nearly six million visitors annually. Yet until Norman Foster's remarkable transformation of its courtyard, the enormous rambling structure was like a city without a park. Numerous photographs reveal the court from a variety of perspectives and show the cutting-edge technology of the spectacular glazed canopy that shelters what is now the largest covered public space in Europe. Involving the magnificent restoration of the Reading Room, the creation of new galleries for African art and a range of educational resources, the Great Court project was a herald of the British Museum's wider transformation. The project and this book illuminate Foster + Partners' holistic and ingenious approach to contemporary design. AUTHOR: Deyan Sudjic is director of London's Design Museum. He writes frequently about architecture. ILLUSTRATIONS: 90 colour
Detailing over 100 sound absorbing materials and finishes with case studies of innovative architectural and design applications. Sound Materials is a definitive resource for architects, designers, acousticians, engineers, students and creative professionals – the first publication of its kind to catalogue over 100 sound absorbing materials, detailing inspiring real-world applications. Project profiles include work from leading architects and designers such as OMA, Gehry Partners, Foster + Partners, Ronan and Erwan Bouroullec, and Barber & Osgerby. These projects showcase sound absorbing materials in a variety of interior design and architectural contexts and underscore some of the common acoustical and material challenges presented by specific applications, such as healthcare, education, performing arts, office, retail and industrial environments. Fundamental technical concepts are clearly presented to offer readers with an understanding of how materials absorb sound and how these materials are commonly used to reduce noise and reverberation, inform our sense of space, and improve communication in everyday environments. This book not only surveys an extensive range of materials past, present and emerging, but also highlights many exciting opportunities for future innovation and collaboration at the intersections of acoustical engineering, materials science, design and architecture.
Surveying the artistic and cultural scene in the era of Trump In a world where truth is cast in doubt and shame has gone missing, what are artists and critics on the left to do? How to demystify a political order that laughs away its own contradictions? How to mock leaders who thrive on the absurd? And why, in any event, offer more outrage to a media economy that feeds on the same? Such questions are grist to the mill of Hal Foster, who, in What Comes after Farce?, delves into recent developments in art, criticism, and fiction under the current regime of war, surveillance, extreme inequality, and media disruption. Concerned first with the cultural politics of emergency since 9/11, including the use and abuse of trauma, conspiracy, and kitsch, he moves on to consider the neoliberal makeover of aesthetic forms and art institutions during the same period. A final section surveys signal transformations in art, film, and writing. Among the phenomena explored are machine vision (images produced by machines for other machines without a human interface), operational images (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information that pervades our everyday lives. If all this sounds dire, it is. In many respects we look out on a world that has moved, not only politically but also technologically, beyond our control. Yet Foster also sees possibility in the current debacle: the possibility to pressure the cracks in this order, to turn emergency into change.