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The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
By exploring the intense interaction between painting and printmaking between art theory and unbridled artistic ambition, Printing the Grand Manner breaks new ground in its analysis of both the reproductive prints and Le Brun's original compositions. --Book Jacket.
1998 marks the 40th anniversary of the bequest to the British Museum by the collector Robert Wylie Lloyd (1868-1958) of fifty of Turner's finest watercolours. This book has been published to accompany a special exhibition of the collection.
Reproduction of the original.
Edition commentée de ce poème latin de 549 vers sur l'art de la peinture qui connut un succès considérable aux XVIIe et XVIIIe siècles.
Languages and Jargons is a contribution to the social history of language. This volume is particularly concerned with the special semi-private languages, dialects or jargons developed by different social groups, whether they are professions, like lawyers, doctors and teachers, voluntary associations like the Masons, social classes, or groups on the margin of society, such as beggars or Gypsies. The contributors are concerned to describe these jargons as they were spoken in particular places and times, to analyse their functions (which range from keeping secrets from outsiders to reinforcing a sense of collective identity), and to account for change over time. They also study the relations between these forms of speech and their speakers and the outside world - the rejection of jargon, the domestication of technical terms, and the transformation of former jargons into ordinary languages. The volume is mainly concerned with different forms of English from the 16th to the 20th century, but some contributors range further afield, from Calo to Urdu. Languages and Jargons will be of particular interest to students and scholars in social and cultural history, linguistics and sociolinguistics, and anthropology.
Rembrandts paintings have been admired throughout centuries because of their artistic freedom. But Rembrandt was also a craftsman whose painting technique was rooted the tradition. Rembrandt—The Painter at Work is the result of a lifelong search for Rembrandt's working methods, his intellectual approach to the art of painting and the way in which his studio functioned. Ernst van de Wetering demonstrates how this knowledge can be used to tackle questions about authenticity and other art-historical issues. Approximately 350 illustrations, half of which are reproduced in colour, make this book into a monumental tribute to one of the worlds most important painters. "The book is—if one may be allowed to say such a thing about a serious scholarly work—a gripping good-read.' Christopher White, The Burlington Magazine "This is a very rich book, a deeply felt analysis of an artist whom the author knows better than almost any other living scholar." Christopher Brown, Times Literary Supplement
He offers seven thought-provoking pieces, three of which are new and written specifically for this book. While Baxandall focuses on works of the fifteenth century, his essays transcend this period and show with fresh insight how words match the experience of looking at paintings and sculptures."--BOOK JACKET.