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Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
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Illustrates the development and rapid spread of Louis Daguerre's photographic invention in France by a variety of daguerreotypes drawn from the collection of the Musee d'Orsay.

Catalogue d'une belle collection de tableaux anciens et modernes des écoles Flamande et Hollandaise, délaissés par feu Mr. Egide van Laerebeke, de Gand. Dont la vente publique et aux enchères se fera à ..., rue de la Vallée, le ... et jours suivants, s'il y a lieu, le matin à neuf heures et l'après-midi à deux heures, par le ministère de Mr. Jean Predhom, directeur de ventes. L'exposition publique aura lieu le 30 et 31 Juillet, le matin de neuf heures à midi et l'après-midi de deux heures à six heures, au local de la vente

Published: 1847

Total Pages: 28


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