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What is the relationship between fashion and modernity, and how is this unique relationship manifested in the material world? This book considers how the relationship between fashion and modernity tests the very definition of modernity and enhances our understanding of the role of fashion in the modern world.
Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
In a clearing by the forest, a little girl befriends a bison. Each winter they meet, sit by the fire, and share stories or simply enjoy the silence together until it is time for the bison to rejoin his herd in the spring. Their bond deepens as they grow older and the years go by, but one winter her bison does not return. After searching for him in the woods, the little girl, now a grown-up, comes to understand that though her bison is gone, he will also always be with her. Gaya Wisniewski's evocative charcoal-and-ink illustrations, enriched by the gradual addition of blue watercolor, masterfully convey this tender, affecting story of friendship and understanding the passage of time.
This book is significant for its concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its anticipation of two themes of literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interaction between reader and text.
By the middle of the century, men were prompted to disdain the decadent and gaudy colors of the pre-Revolutionary period and wear unrelievedly black frock coats suitable to the manly and serious world of commerce. Their wives and daughters, on the other hand, adorned themselves in bright colors and often uncomfortable and impractical laces and petticoats, to signal the status of their family.
You are invited into a stunning and dreamlike voyage into the imagination—ideal for fans of Chris Van Allsburg and the Caldecott Honor Book Journey by Aaron Becker. Imagine a world without edges . . . where bunnies and bears ride bicycles, lions read books, and buses are fish that fly through the clouds. In the city of imagination, anything is possible, and an outing with their mother brings a world of adventure to two lucky children. With simple, evocative, rhyming text and page after page of unusual and mystical details to explore, this is a story that encourages readers to open their minds and dream of magical places filled with the unexpected. Enter a world of the past, present, and future, where wonders exist that we never thought possible. . . . "Who could resist hanging out with gargoyles while sipping tea?"—Kirkus "Hurst’s sweeping pen-and-ink illustrations suggest a combination of midtown Manhattan and Hogwarts. . . . [Her] engrossing mashups of the urban and the fantastical present no shortage of fuel for readers’ own imaginations."—Publishers Weekly "Imagination reigns in this flight of fantasy . . . Rabbits read newspapers, fish fly, and trees grow out of pictures. Readers will have tea with gargoyles and float on lily pad rafts, see books and umbrellas float by, walk among lions and bears, or ride on a fish bus with a bear conductor."—Booklist
Erika's Story is one woman's account of the tragedy of the Holocaust. Erika is a survivor who recalls the difficult decisions her parents had to make and how those decisions have affected her life. Erika has a quiet hope and confidence which is sure to inspire readers. The exquisite illustrations of Roberto Innocenti are poignant and moving. The combination of words and pictures in this book speak not only to the reader's head but also to the heart. The foreign rights to Erika's Story have been sold in eleven countries.
In this generously illustrated book, Anne Hollander examines the representation of the body and clothing in Western art, from Greek sculpture and vase painting through medieval and renaissance portraits, to contemporary films and fashion photography. First published ahead of its time, this book has become a classic.
‘A highly diverting picture book about an agreeable pet boa constrictor that earns the affection and gratitude of a French village.’ —BL. ‘Children will love it.’ —H. Notable Children's Books of 1940–1959 (ALA) 1959 Fanfare Honor List (The Horn Book) A Reading Rainbow Selection 1958 Children's Spring Book Festival Prize (NY Herald Tribune)