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What is the relationship between fashion and modernity, and how is this unique relationship manifested in the material world? This book considers how the relationship between fashion and modernity tests the very definition of modernity and enhances our understanding of the role of fashion in the modern world.
Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.
An illustrated encyclopedia with 1000 photos of over 700 nineteenth century French sculptors including Rodin, Barye, d'Angers and Carpeaux, with biographies, listings of works (with size and foundry when known), museum pieces in France and elsewhere, and recent sales. Also provides an overview of 19th century bronze sculpture, the foundries that cast the bronzes, and methods used to cast works.
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
This catalogue features daggers in numerous examples dating from the fourteenth to the eighteenth century and provides a history of not only the daggers in The Metropolitan Museum of Art's collection, but also the broader history of daggers in general. The illuminating text traces the dagger's development and mode of use throughout the time period while also differentiating it from concurrent development of swords. Included in the text are helpful line illustrations that better show the form and decoration of the daggers, accompanied by a plate section, which allows for easy comparison of the works.
By the middle of the century, men were prompted to disdain the decadent and gaudy colors of the pre-Revolutionary period and wear unrelievedly black frock coats suitable to the manly and serious world of commerce. Their wives and daughters, on the other hand, adorned themselves in bright colors and often uncomfortable and impractical laces and petticoats, to signal the status of their family.

Catalogue des tableaux anciens et modernes, deux très beaux tableaux décoratifs de F. Boucher, beau mobilier artistique, tapisseries, tapis, rideaux, meubles anciens et de style, objets d'art et de curiosité, grandes statues, groupes et bustes en marbre par Clésinger, Michelas, Carrier-Belleuse, Weeck, grandes torchères en bronze, style Louis XVI, bronzes d'art et d'ameublement, faïences italiennes, françaises, hollandaises et persanes, porcelaines anciennes, cristaux, émaux, miniatures, bois sculptés, émaux cloisonnés, armes anciennes et de luxe, vasques, jardinières, plantes rares de serre, le tout décorant et garnissant un hotel ...

Published: 1883

Total Pages: 84


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Catalogue des tableaux modernes et anciens, objets d'art, de curiosité et d'ameublement, bijoux, miniatures, orfèvrerie d'art et de table, sculptures en marbre et autres, faïences italiennes, françaises et autres, verrerie de Venise, belles porcelaines de la Chine, du Japon, de Sèvres et de Saxe, bronzes d'art, belle paire de chenets du XVIe siècle, objets variés européens et de l'Orient, bronzes d'ameublement, meubles des époques Louis XIII, Louis XV et Louis XVI, beau meuble de salon couvert en tapisserie, sièges divers, belles tapisseries, étoffes, broderies, tapis et dentelles, dont la vente par suite du décès de M. E. Fould aura lieu Hôtel Drouot ... les lundi 27, mardi 28 février, mercredi 1er, jeudi 2 et vendredi 3 mars 1882 ... commissaire-priseur, Me Paul Chevalier, succ[eseu]r de Me Charles Pillet ... experts, pour les tableaux, M. George Petit ... pour les objets d'arts, M. Charles Mannheim ...

Published: 1882

Total Pages: 0


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