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Writing at the time of political and social crisis in Athens, Aristophanes was an eloquent yet bawdy challenger to the demagogue and the sophist. The Achanians is a plea for peace set against the background of the long war with Sparta.
If you know the 26 letters of the alphabet and can count to 99 -- or are just learning -- you'll love Tana Hoban's brilliant creation. This innovative concept book is two books in one!
Réimpression inchangée de l'édition originale de 1874.
The first comprehensive examination of the accomplishments of
The North Carolina Museum of Art's collection of seventeenth-century Dutch and Flemish paintings occupies a unique niche within the museum world, with a depth and quality generally restricted to the larger museums across the country. The new catalog written by Dennis P. Weller, curator of northern European art at the North Carolina Museum of Art, addresses the Museum's collection of seventy-seven Dutch and Flemish seventeenth-century paintings. Among the masterpieces are signature works by Hendrick ter Brugghen, Govaert Flinck, Jacob van Ruisdael, Jan Steen, Jan Brueghel the Elder, Gerard Seghers, Jacob Jordaens, and Anthony van Dyck.
Katalog wystawy: Frans Halsmuseum, Haarlem, 7 października - 31 grudnia 2000; Koninklijk Museum voor Schone Kunsten, Antwerpia, 21 stycznia - 22 kwietnia 2001.
A landmark exploration of the engaging network of relationships among genre painters of the Dutch Golden Age The genre painting of the Dutch Golden Age between 1650 and 1675 ranks among the highest pinnacles of Western European art. The virtuosity of these works, as this book demonstrates, was achieved in part thanks to a vibrant artistic rivalry among numerous first-rate genre painters working in different cities across the Dutch Republic. They drew inspiration from each other's painting, and then tried to surpass each other in technical prowess and aesthetic appeal. The Delft master Johannes Vermeer (1632-1675) is now the most renowned of these painters of everyday life. Though he is frequently portrayed as an enigmatic figure who worked largely in isolation, the essays here reveal that Vermeer's subjects, compositions, and figure types in fact owe much to works by artists from other Dutch cities. Enlivened with 180 superb illustrations, Vermeer and the Masters of Genre Painting highlights the relationships - comparative and competitive - among Vermeer and his contemporaries, including Gerrit Dou, Gerard ter Borch, Jan Steen, Pieter de Hooch, Gabriel Metsu, and Frans van Mieris. Published in association with the National Gallery of Ireland Exhibition Schedule: Musee du Louvre 02/20/17--05/22/17 National Gallery of Ireland 06/17/17--09/17/17 National Gallery of Art, Washington D.C. (10/22/17--01/21/18)