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Bumblebees are undergoing a widespread decline, but this has not yet caught the attention of the general public to the same extent as, for example, the plight of rare butterflies or birds. This title attempts to draw attention to the importance of conserving dwindling bumblebee populations.
Andrew Sayers examines a considerable body of drawings produced by Aboriginal artists between 1803 and 1903. Never before collected as a genre, these works are retained in museums, libraries, or private hands and have rarely been displayed. Often regarded as inauthentic art because of their stylistic borrowings and fluctuations, they enjoy a unique status as products of the interaction between Aboriginal society and the British colonizers. The largest group of drawings comes from the hands of three artists--Tommy McCrae (c1823-1901), William Barak (c1824-1903), and Ulladulla Mickey (c1820-1891), who produced their drawings in the 1880s and 1890s. Visually these drawings are varied, but they possess many of the aesthetic qualities which characterize contemporary Aboriginal art, displaying intense vitality and an acute understanding of flora and fauna.
Discussion and commemoration of the work and life of William Barak, leader and artist; articles by Murphy-Wandin, Ryan and Cooper annotated separately.
This book provides an up to date review of subnational and multicultural issues in Western multinational states.
This pictorial and descriptive profile of the artistic artifacts housed in the University of Melbourne includes pieces ranging from Greek antiquity to the European old masters. Information is provided on costumes designed by Percy Grainger, furniture fashioned by Burley Griffin, illuminated manuscripts, and stained glass by Napier Waller. Essays written by staff and students of the university, research findings on new methods of interpretation, and profiles of the different collections and their reflection of the institutional values of the university offer a glimpse into Australia's distinct cultural heritage.
'How is it our minds are not satisfied? What means this whispering in the bottom of our hearts?' Listening to the whispering in his own heart, Henry Reynolds was led into the lives of remarkable and largely forgotten white humanitarians who followed their consciences and challenged the prevailing attitudes to Indigenous people. His now-classic book The Whispering in Our Hearts constructed an alternative history of Australia through the eyes of those who felt disquiet and disgust at the brutality of dispossession. These men and women fought for justice for Indigenous people even when doing so left them isolated and criticised by their fellow whites. The unease of these humanitarians about the morality of white settlement has not dissipated and their legacy informs current debates about reconciliation between black and white Australia. Revisiting this history, in this new edition Reynolds brings fresh perspectives to issues we grapple with still. Those who argue for justice, reparation, recognition and a treaty will find themselves in solidarity with those who went before. But this powerful book shows how much remains to be done to settle the whispering in our hearts. 'No other historian can match Henry Reynolds' impact on Australians' understanding of their frontier history and its troubled inheritance.' - Mark McKenna
This book addresses the issue of whether or not federalism be a fair and workable way of articulating multinational societies according to revised liberal-democratic patterns.
This adorable music notebook is perfect for staffs, kids and musicians. The high-quality manuscript book includes 110 pages of 12 staves. Let exercise your composing skills with this well-designed music sketchbook! Enjoy!