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Providing access to virtually any subject related to music and musicians in Canada, more than 900 annotated entries are organized under 13 topics, and indexed by author, subject, and title. Background and supplementary information and suggestions for research are presented in introductory essays. The material covered reflects the broad spectrum of music in Canadian society including historical, analytical, and biographical studies of music derived from the European tradition, First Nations and Inuit music, jazz and popular works, folk and ethnic music, education, research and bibliographical materials. The reader is also directed to some important on-line resources. Musical activity in Canada has developed remarkably in the past 50 years, with a parallel growth of musical scholarship examining historical, social, and ethnological aspects of Canadian musical life. This Guide is the first to draw comprehensively on the wealth of studies now available, which are often dispersed and not easily located. Consequently, this information is invaluable to students and researchers interested in Canadian music, the music of North America, and Canadian studies. Index.
The Music Division was established in 1970 to house the music materials acquired by the National Library of Canada since its founding in 1953. Its objective is to develop the acquisition of documents pertaining to music in Canada while providing a specialized reference service. The Catalogue of the Archival Fonds and Collections of the Music Division provides a general overview of the content of each fonds and collection. In addition to facilitating research, the Catalogue serves to further disseminate information about the musical heritage of Canadians.
Istvan Anhalt, born into a Jewish family in Budapest in 1919, studied with Zoltán Kodály before being conscripted into a forced labour camp during World War II. In the late 1940s he studied under Nadia Boulanger and Soulima Stravinsky before emigrating to Canada in 1949, where he has been an important figure in the Canadian music scene for the last fifty years.
In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR
Music in North America is a survey of the people, events, and institutions that helped shape music in the early centuries of North America. Collecting information from various historical data, author Daniel Mendoza de Arce presents straightforward descriptions of both religious and secular early music. Basic historical information about the Renaissance and Baroque periods in North America and the Caribbean are presented, chronologically through 1850, along musical, geographic, and cultural lines. A valuable study to researchers, students, and interested readers alike, this treatise helps readers achieve a sense of perspective, and a broader understanding of their place in world culture. The information presented in this book is a complement to the author's previous work, Music in Ibero-America to 1850: A Historical Survey.