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Catalogue de tableaux anciens de l'école flamande et objets d'art et de curioté tels que sculptures sur bois et sur ivoire des quatorzième, quinzième et seizième siècles; Emaux de Limoges; Horloges allemandes; Manuscrits des treizième, quatorzième, quinzième et seizième siècles; Orfévrerie; Vases antiques grecs en terre de Nola et de la Basilicate; Laques du Japon; Porcelaines de Chine; Bronzes anciens; Objets divers, etc. Composant la collection de feu M. Cotreau...

Published: 1861

Total Pages: 48


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Jacques' waking reveries and daydreams are balanced by a succession of dreams and nightmares that explore the seemingly irrational, often grotesque, world of unconscious desire, producing a series of images that challenges anything to be found in the fantasies of 'Against Nature', or the Satanic obsessions of 'La-Bas'."
"The Vatard Sisters brought Huysmans to the notice of the public and revealed him as a man who could paint word-pictures which put earlier practitioners like Gautier and Edmond de Goncourt in the shade...The novel is a story of two working-class sisters, but the main protagonist is Paris, suburban Paris, the Paris of railway stations, cheap restaurants and caf (c)-concerts...and the passages that describe the music-halls and crowds of the Avenue de Maine and the Boulevard Saint Michel, or the railway yard seen from the back window of the sisters' bedroom, have a visual immediacy...a kind of energy, a force of personality, which are utterly unusual in Huysmans' work..." ]Anita Brookner in The Genius of the Future