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Launch mini cats into the air with this fun desktop game with a cat lover's twist! SPECIFICATIONS: Includes a 3-1/2 x 1-1/2 inch mini cat-a-pult, 3 1-inch cats, and bullseye landing mat PORTABLE: Small size allows for some cat flying fun anytime, anywhere PURRFECT GIFT FOR CAT LOVERS: Makes a great gag gift or self-purchase for feline fans BOOK INCLUDED: Instructional mini book with full-color illustrations
Pigs may not fly, but felines almost do! Every cat owner who has watched his or her pet soar from table to counter to the top of the draperies will swear that its true. And here's the proof, in a photographic tribute to the cat's bold and brazen nature, as well as a whimsical reminder of what makes these animals so beloved.
A young woman recently relocated to California with dreams of becoming a journalist is stricken with a brain trauma and must work to regain her independence in this "must read" memoir (Mary Karr, author of The Liar's Club) "Having just graduated from college, Krug and her dreamy French boyfriend, Claude (a man given to wearing his button–down shirts buttoned halfway up), leave the flatlands of Kansas for Santa Barbara, California—there, Krug finds a reporting job covering high society 'gardens, weddings, and pets,' and Claude gets a gig with a local paper. Young, in love, gainfully employed, and living close to the coast, post–collegiate life couldn't be better—day after day 'they drink Mexican beer and wear bathing suits indoors. They do drugs and wander through organic markets, spotting celebrities.' But just weeks after settling in, Krug suffers a 'severe' cavernous angioma in her brain. She gets dizzy, she can't walk, and it soon becomes clear that brain surgery is inevitable, and life will never be the same. In gracefully stark prose, Krug narrates in the third person the implosion of what should've been her gilded life, the sad and prolonged dissolution of her relationship with Claude, and her transformation from 'the kind of girl other girls only pretended to like' to a wife, mother, and PhD candidate back in Kansas. Interspersed throughout are fictional imaginings of the perspectives of her loved ones as she endures numerous surgeries and years of physically and emotionally excruciating rehab. Supplemented with facsimiles of the 'Illustrated Facial Exercises' she used to work damaged muscles, as well as other medical documents, Krug's story is an immediate, unsparing, and beautifully rendered account of loss and recovery. —Publishers Weekly, starred review
Whether playing at defending their own castle or simply chucking pumpkins over a fence, wannabe marauders and tinkerers will become fast acquainted with Ludgar, the War Wolf, Ill Neighbor, Cabulus, and the Wild Donkey—ancient artillery devices known commonly as catapults. Building these simple yet sophisticated machines introduces fundamentals of math and physics using levers, force, torsion, tension, and traction. Instructions and diagrams illustrate how to build seven authentic working model catapults, including an early Greek ballista, a Roman onager, and the apex of catapult technology, the English trebuchet. Additional projects include learning how to lash and make rope and how to construct and use a hand sling and a staff sling. The colorful history of siege warfare is explored through the stories of Alexander the Great and his battle of Tyre; Saladin, Richard the Lionheart, and the Third Crusade; pirate-turned-soldier John Crabbe and his ship-mounted catapults; and Edward I of England and his battle against the Scots at Stirling Castle.
This photography-driven fiction about coming of age in the creep show of south Florida's swamps and strip malls is "unlike any book I've ever read . . . A completely original and clearheaded voice" (Ira Glass, host of This American Life) Out of South Florida's lush and decaying suburban landscape bloom the delinquent magic and chaotic adolescence of And Every Day Was Overcast. Paul Kwiatkowski's arresting photographs amplify a novel of profound vision and vulnerability. Drugs, teenage cruelty, wonder, and the screen-flickering worlds of Predator and Married . . . With Children shape and warp the narrator's developing sense of self as he navigates adventures and misadventures, from an ill-fated LSD trip on an island of castaway rabbits to the devastating specter of HIV and AIDS. This alchemy of photography and fiction gracefully illuminates the travesties and triumphs of the narrator's quest to forge emotional connections and fulfill his brutal longings for love.
An " enormously entertaining" (Smithsonian), " clever, subtle, and adroit" account (Wall Street Journal) of how the author and his friend constructed a medieval siege engine in a San Francisco backyard. " So funny that I could not put it down" (Los Angeles Times).
In this dark and ethereal debut novel, a young woman tries to make sense of strange artifacts and unsettling memories in an effort to find her mother—missing since being accused of murder When brutish miner Hugo Mitchum is found murdered on the frozen shore of a North Country lake, the local officials and town gossips of Beau Caelais are quick to blame Marietta Abernathy, outspoken environmental activist and angry, witchy recluse. But Marietta herself has disappeared under mysterious circumstances. Living on an isolated island with her father, Marietta’s sixteen-year-old daughter, Lena, begins sifting through her mother’s journals and collected oddities in an attempt to find her. While her father’s grief threatens to consume him and her adoptive aunt Bea reckons with guilt and acceptance, it is the haunting town outcast Ellis Olsen who might have the most to lose if Lena fails to find her mother. A Nordic eco-noir shot through with magical realism, Things We Found When the Water Went Down examines power, identity, and myth in a story that asks us to explore what it means to heal—or not—after violence.
"How lovely to discover a book on the craft of writing that is also fun to read . . . Alison asserts that the best stories follow patterns in nature, and by defining these new styles she offers writers the freedom to explore but with enough guidance to thrive." ―Maris Kreizman, Vulture A Publishers Weekly Best Book of 2019 | A Poets & Writers Best Books for Writers As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel― one we’re actually told to follow―and that’s the dramatic arc: a situation arises, grows tense, reaches a peak, subsides . . . But something that swells and tautens until climax, then collapses? Bit masculosexual, no? So many other patterns run through nature, tracing other deep motions in life. Why not draw on them, too?" W. G. Sebald’s Emigrants was the first novel to show Alison how forward momentum can be created by way of pattern, rather than the traditional arc--or, in nature, wave. Other writers of nonlinear prose considered in her “museum of specimens” include Nicholson Baker, Anne Carson, Marguerite Duras, Gabriel García Márquez, Jamaica Kincaid, Clarice Lispector, Susan Minot, David Mitchell, Caryl Phillips, and Mary Robison. Meander, Spiral, Explode is a singular and brilliant elucidation of literary strategies that also brings high spirits and wit to its original conclusions. It is a liberating manifesto that says, Let’s leave the outdated modes behind and, in thinking of new modes, bring feeling back to experimentation. It will appeal to serious readers and writers alike.
Catapults have been around for many years. In ancient times, catapults were used during war. Today, people use catapults for more than just weapons. They can be used to launch aircrafts and for events like pumpkin throwing contests! No matter how a catapult is used, they all work by using energy. Learn how to make your own catapult by using basic household materials such as popsicle sticks, rubber bands, and plastic spoons. Watch as your catapult launches objects into the air!
“An insomniac’s ideal sleep aid—and that’s a compliment. With her collage of ruminations about sleeplessness, [Benjamin] promises no real cure . . . Her slim book is what the doctor ordered.”—The Atlantic Insomnia is on the rise. Villainous and unforgiving, it’s the enemy o f energy and focus, the thief of our repose. But can insomnia be an ally, too, a validator of the present moment, of edginess and creativity? Marina Benjamin takes on her personal experience of the condition—her struggles with it, her insomniac highs, and her dawning awareness that states of sleeplessness grant us valuable insights into the workings of our unconscious minds. Although insomnia is rarely entirely welcome, Benjamin treats it less as an affliction than as an encounter that she engages with and plumbs. She adds new dimensions to both our understanding of sleep (and going without it) and of night, and how we perceive darkness. Along the way, Insomnia trips through illuminating material from literature, art, philosophy, psychology, pop culture, and more. Benjamin pays particular attention to the relationship between women and sleep—Penelope up all night, unraveling her day’s weaving for Odysseus; the Pre–Raphaelite artists’ depictions of deeply sleeping women; and the worries that keep contemporary females awake. Insomnia is an intense, lyrical, witty, and humane exploration of a state we too often consider only superficially. “This is the song of insomnia, and I shall sing it,” Marina Benjamin declares.