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This book is the first systematic reconstruction of Castoriadis's philosophical trajectory. It critically interprets the shifts in his ontology by reconsidering the ancient problematic of human institution(nomos) and nature(physis), on the one hand, and the question of beingand creation, on the other.Unlike the order of physis, the order of nomos has played no substantial role in the development of Western thought. The first part of the book suggests that Castoriadis sought to remedy this by elucidating the social-historical as the region of being that eludes the determinist imaginary of inherited philosophy. This ontological turn was announced in his 1975 magnum opus, The Imaginary Institution of Society.With the aid of archival sources, the second half of the book reconstructs a second ontological shift in Castoriadis's thought that occurred during the 1980s. The author argues that Castoriadis extends his notion of ontological creationbeyond the human realm and into nature. This move has implications for his overall ontology and signals a shift toward a general ontology of creative physis
This book features a highly significant discussion between Paul Ricoeur and Cornelius Castoriadis. Recorded for Radio France (Culture) in 1985, it is the only known encounter between these two great philosophers of the imagination. Their wide ranging conversation covers such themes as the productive imagination, human creation, social imaginaries, and the possibility of historical novelty; it reveals points of surprising commonality as well as divergence in their approaches. The dialogue is supplemented by critical essays by specialist scholars in Castoriadis and Ricoeur studies, and includes contributions from Johann P. Arnason, George H. Taylor, François Dosse, Johann Michel, Jean-Luc Amalric, and Suzi Adams. The book is a must read for all scholars interested in Ricoeur and Castoriadis studies, as well as those interested in debates on the possibilities and limits of human creation, and the importance of the imagination for social change.
The Communist Party’s attitude toward art in this period was, in general, epiphenomenal of its economic policy. A resolution of 1925 voiced the party’s refusal to sanction anyone’s literary faction. This reflected the New Economic Policy (NEP) of a limited free-market economy. The period of the First Five-Year Plan (1928–1932) saw a more or less voluntary return to a more committed artistic posture, and during the second Five-Year Plan (1932–1936), this commitment was crystallized in the formation of a Writers’ Union. The first congress of this union in 1934, featuring speeches by Maxim Gorky and Bukharin, officially adopted socialist realism, as defined primarily by Andrei Zhdanov (1896–1948). Aptly dubbed by Terry Eagleton as “Stalin’s cultural thug,” it was Zhdanov whose proscriptive shadow thenceforward fell over Soviet cultural affairs. Although Nikolai Bukharin’s speech at the congress had attempted a synthesis of Formalist and sociological attitudes, premised on his assertion that within “the microcosm of the word is embedded the macrocosm of history,” Bukharin was eventually to fall from his position as the leading theoretician of the party: his trial and execution, stemming from his political and economic differences with Stalin, were also symptomatic of the fact that Formalism soon became a sin once more. Bukharin had called for socialist realism to portray not reality “as it is” but rather as it exists in socialist imagination.
This collection presents a broad and compelling overview of the most recent work in philosophy, politics, and psychoanalysis by a world-renowned figure in contemporary thought.
In this book it explores science and technology, makes connections between these epistemic, cultural, and political trends, and develops profound insights into the nature of our postmodernity.
Transcendental Ontology in German Idealism: Schelling and Hegel sheds remarkable light on a question central to post-Kantian philosophy: after the Copernican Revolution in philosophy, what can philosophy say about the world or reality as such? What remains of ontology's task after Kant? This is a question often overlooked in contemporary scholarship on German Idealism. Markus Gabriel offers a refreshing reinvigoration of a range of questions concerning scepticism, corporeality, freedom, the question of being, the absolute and the modal status of our determinations and judgments, all crucial to our understanding of the truly radical nature of post-Kantian philosophy. Gabriel's assessment of the experiments undertaken in post-Kantian ontology reaffirms Schelling's and Hegel's place at the heart of contemporary metaphysics. The book shows how far we still have to go in mining the thought of Hegel and Schelling and how exciting, as a result, we can expect twenty-first century philosophy to be.
This book provides a rigorous examination into the realities of the current university system in Britain, America and Australia. The radical makeover of the higher education system which began in the 1980s has conventionally been understood as universities being transformed into businesses which sell education and research in a competitive market. This engaging and provocative book argues that this is not actually the case. Drawing on lived experience, Watts asserts that the reality is actually a consequence of contradictory government policy and new public management whose exponents talk and act ‘as-if’ universities have become businesses. The result of which is ‘market crazed governance’, whereby universities are subjected to expensive rebranding and advertising campaigns and the spread of a toxic culture of customer satisfaction surveys which ask students to evaluate their teachers and what they have learned, based on government ‘metrics’ of research ‘quality’. This has led to a situation where not only the normal teacher-student relationship is inverted, academic professional autonomy is eroded and many students are short-changed, but where universities are becoming places whose leaders are no longer prepared to tell the truth and too few academics are prepared to insist they do. An impassioned and methodical study, this book will be of great interest to academics and scholars in the field of higher education and education policy.
A collection of articles, lectures, and interviews whose apparent variety, touching on social criticism, psychoanalysis, philosophy, poetry and science, among others, is actually strongly focused on one main idea: that of autonomous, creative action at the individual and collective levels.
Cornelius Castoriadis was one of the most original and creative thinkers of the 20th century. Between 2006 and 2009, the Nordic Summer University hosted a series of workshops on his thought that attracted partcipants from various disciplinary fields and nations. This colletion is a result from these encounters, with contributions from political philosophy, Hellenic studies, architecture, critique of ideology, pedagogy, sociology, phenomenology, psychology and psychoanalysis - and, true to the spirit of Castoriadis, combinations of these. Some authors are known Castoriadis scholars, while others are researchers in their own fields who have seen in Castoriadis a way to enrich their work.
These remarkable essays include Cornelius Castoriadis's latest contributions to philosophy, political and social theory, classical studies, development theory, cultural criticism, science, and ecology. Examining the "co-birth" in ancient Greece of philosophy and politics, Castoriadis shows how the Greeks' radical questioning of established ideas and institutions gave rise to the "project of autonomy." The "end of philosophy" proclaimed by Postmodernism would mean the end of this project. That end is now hastened by the lethal expansion of technoscience, the waning of political and social conflict, and the resignation of intellectuals who blindly defend Western culture as it is or who merely denounce or "deconstruct" it as it has been. Discussing and criticizing Plato, Aristotle, Leibniz, Kant, Hegel, Weber, Heidegger, and Habermas, the author of The Imaginary Institution of Society and Crossroads in the Labyrinth poses a radical challenge to our inherited philosophy.