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San Francisco vintage clothing store owner Lily Ivory must put her more magical abilities to good use in this mystery in the New York Times bestselling Witchcraft series. When some students get spooked at the San Francisco School of Fine Arts, Lily Ivory is called in to search for possible paranormal activity. In exchange for her help, she’s been promised a trunk full of Victorian era clothes recently discovered in a school storage closet. What she finds at the foot of the stairs leading to the bell tower is a body—a wealthy patron of the school who has been murdered. She uses her sleuthing skills in between running the store and seeing her new boyfriend, Max, a “mythbuster” uncomfortable with her witchcraft. Soon Lily senses something from the school’s vintage clothes. But it’s not the smell of mothballs—it’s the unmistakable aura of evil intent...
Unpacking assumptions about corseting, Rebecca Gibson supplements narratives of corseted women from the 18th and 19th centuries with her seminal work on corset-related skeletal deformation. An undergarment that provided support and shape for centuries, the corset occupies a familiar but exotic space in modern consciousness, created by two sometimes contradictory narrative arcs: the texts that women wrote regarding their own corseting experiences and the recorded opinions of the medical community during the 19th century. Combining these texts with skeletal age data and rib and vertebrae measurements from remains at St. Bride’s parish London dating from 1700 to 1900, the author discusses corseting in terms of health and longevity, situates corseting as an everyday practice that crossed urban socio-economic boundaries, and attests to the practice as part of normal female life during the time period Gibson’s bioarchaeology of binding is is the first large-scalar, multi-site bioethnography of the corseted woman.
Why, at a time when women's liberation was gaining force and momentum, did the corset become more cinched and restricting than at any time during the entire preceding century? Why was bra burning a political statement for the feminists of the 1970s? How far is the harnessed and restricted female form an outward symbol of Victorian and middle-class ideas of discipline and self-control? In what ways are women forced to conform to a "feminine ideal"? In The Feminine Ideal, Marianne Thesander examines the significance of the female body, beauty and culture. She shows how the female body is constantly being changed, and by various sometimes punishing means made to fit in with current feminine physical ideals. The use of corsets, bras, make-up, cosmetics and body decoration either emphasizes or plays down specific aspects of the female form. Marianne Thesander considers: sin and virtue; the forbidden, the concealed, the alluring body; woman as object, fetish and erotic sign. With extensive use of illustrative material, she examines the fashion history of underwear from the eighteenth century to the present day, exploring the significance of changing 'models' of the feminine."
Women Will Vote celebrates the 2017 centenary of women’s right to full suffrage in New York State. Susan Goodier and Karen Pastorello highlight the activism of rural, urban, African American, Jewish, immigrant, and European American women, as well as male suffragists, both upstate and downstate, that led to the positive outcome of the 1917 referendum. Goodier and Pastorello argue that the popular nature of the women’s suffrage movement in New York State and the resounding success of the referendum at the polls relaunched suffrage as a national issue. If women had failed to gain the vote in New York, Goodier and Pastorello claim, there is good reason to believe that the passage and ratification of the Nineteenth Amendment would have been delayed. Women Will Vote makes clear how actions of New York’s patchwork of suffrage advocates heralded a gigantic political, social, and legal shift in the United States. Readers will discover that although these groups did not always collaborate, by working in their own ways toward the goal of enfranchising women they essentially formed a coalition. Together, they created a diverse social and political movement that did not rely solely on the motivating force of white elites and a leadership based in New York City. Goodier and Pastorello convincingly argue that the agitation and organization that led to New York women’s victory in 1917 changed the course of American history.
Presenting the history of corsetry and body sculpture, this edition shows how the relationship between fashion and sex is closely bound up with sexual self-expression. It demonstrates how the use of the corset rejected the role of the passive, maternal woman, so that in Victorian times it was seen as a scandalous threat to the social order.
Knitting patterns for styles a vampire might wear and household items a vampire might own, as well as patterns to transform the wearer from person to werewolf.
Vols. for include the Proceedings of the Medical and chirurgical faculty of Maryland.