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Men like Marc Castellano don't forgive. They get revenge… Five years ago, Ava McGuire married Marc's business rival, causing a high-profile scandal. But no one knows that Ava was forced to say "I do." Now a widow, she's left with nothing but crippling debts and another scandalous proposition. Marc is going to have Ava right where he wants her...not with a ring on her finger, not even in the palm of his hand. But in his bed for as long as he desires….
Thinker, writer, diplomat, feminist Rosario Castellanos was emerging as one of Mexico's major literary figures before her untimely death in 1974. This sampler of her work brings together her major poems, short fiction, essays, and a three-act play, The Eternal Feminine. Translated with fidelity to language and cultural nuance, many of these works appear here in English for the first time, allowing English-speaking readers to see the depth and range of Castellanos' work. In her introductory essay, "Reading Rosario Castellanos: Contexts, Voices, and Signs," Maureen Ahern presents the first comprehensive study of Castellanos' work as a sign or signifying system. This approach through contemporary semiotic theory unites literary criticism and translation as an integral semiotic process. Ahern reveals how Castellanos integrated women's images, bodies, voices, and texts to feminize her discourse and create a plurality of new signs/messages about women in Mexico. Describing this process in The Eternal Feminine, Castellanos observes, "...it's not good enough to imitate the models proposed for us that are answers to circumstances other than our own. It isn't even enough to discover who we are. We have to invent ourselves."
Exploring the use of key authorial strategies in selected literary and theoretical texts by women from Argentina, Brazil, Cuba, Mexico, and Puerto Rico, as well as the US, Castillo (Romance studies, Cornell U.) illuminates the ongoing process of constructing a feminist criticism that can incorporate the diverse, shifting, and often contradictory voices of Latin American feminist writers. Annotation copyrighted by Book News, Inc., Portland, OR
“At least as good as Mario Puzo, with shades of David Mamet or even Arthur Miller.”—New York Daily News Paul Castellano headed New York’s immensely powerful Gambino crime family for more than ten years. On December 16, 1985, he was gunned down in a spectacular shooting on Manhattan's fashionable East Side. At the time of his death, Paul Castellano was under indictment. So were most of the major Mafia figures in New York. Why? Because in 1983 the FBI had hidden a microphone in the kitchen of Castellano's Staten Island mansion. The 600 hours of recorndings led to eight criminal trials. And this book. Agents Joe O’Brien and Andris Kurins planted that mike. They listened to the voices. Now they bring you the most revealing look inside the Mafia ever . . . in the Mafia’s own words. “Beautifully done, not only strange and fascinating but even touching.”—Robert Daley, author of Prince of the City
This is a collection of original essays focusing on social rights in Latin America, covering four areas in particular: subsistence, labor, gender, and race/ethnicity within the original framework of human rights. Topics covered include the environment, AIDS, workers' rights, tourism, and many more.
Since the deaths of her parents, dreams and the cruel whims of her guardian, Baron Pike, are all that are left to Lady Catheryn of Brezden. Only her belief in the power of a yarrow dream spell gives her any hope for the future.Since his wife and son's deaths at the order of Baron Pike, Count Gerard of Reveur knows that dreams are nothing and believes only in the power of revenge.Together, Catheryn and Gerard discover the truth in dreams and the power of love.
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Where is the common ground for feminist theory and Latin American culture? Jean Franco explores Mexican women's struggle for interpretive power in relation to the Catholic religion, the nation, and post-modern society; and examines the writings of women who wrote under the shadow of recognized male writers, as well as the works of more marginal figures. In this original and skillfully written book Franco demonstrates the many feminisms that emerge in apparently rigid and adverse situations, and provides the foundation for a more comprehensive, less ethnocentric feminst theory.
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