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#5 in the Boundary series universe, and sequel to Castaway Planet, by New York Times multiple best-selling author Eric Flint and veteran science fiction and fantasy author Ryk E. Spoor. Worst-Case Scenario: Sergeant Samuel Morgan Campbell had been in plenty of tight spots before, but nothing like this. It had happened in a few terrifying seconds: the starship he and his crew travelled on, the Outward Initiative, shattered to pieces before their eyes and disappeared, leaving them stranded in the endless night of deep space on Lifeboat LS-88—all systems dead, light-years from any known colony. Somehow, Sergeant Campbell and his crew of half-trained children—ranging from freshly graduated Xander Bird down to eight-year-old Francisco—have to repair systems with no tools, navigate with no computers, and—if they could find a planet they could live on—land a shuttle whose controls were more than half-destroyed. And if they manage all of that, then the real challenge begins; the only planet in range has secrets that even Sergeant Campbell cannot imagine! At the publisher's request, this title is sold without DRM (Digital Rights Management). Praise for previous books in this series: “. . . fast-paced sci-fi espionage thriller . . . light in tone and hard on science . . .” —Publishers Weeklyon Boundary “The whole crew from Flint and Spoor's Boundary are back . . . Tensions run high throughout the Ceres mission . . . a fine choice for any collection.” —Publishers Weekly on Threshold “[P]aleontology, engineering, and space flight, puzzles in linguistics, biology, physics, and evolution further the story, as well as wacky humor, academic rivalries, and even some sweet romances.” —School Library Journal on Boundary
Europe is facing a wave of migration unmatched since the end of World War II - and no one has reported on this crisis in more depth or breadth than the Guardian's migration correspondent, Patrick Kingsley. Throughout 2015, Kingsley travelled to 17 countries along the migrant trail, meeting hundreds of refugees making epic odysseys across deserts, seas and mountains to reach the holy grail of Europe. This is Kingsley's unparalleled account of who these voyagers are. It's about why they keep coming, and how they do it. It's about the smugglers who help them on their way, and the coastguards who rescue them at the other end. The volunteers that feed them, the hoteliers that house them, and the border guards trying to keep them out. And the politicians looking the other way. The New Odyssey is a work of original, bold reporting written with a perfect mix of compassion and authority by the journalist who knows the subject better than any other.
A wide-ranging and appreciative literary history of the castaway tale from Defoe to the present Ever since Robinson Crusoe washed ashore, the castaway story has survived and prospered, inspiring a multitude of writers of adventure fiction to imitate and adapt its mythic elements. In his brilliant critical study of this popular genre, Christopher Palmer traces the castaway tales' history and changes through periods of settlement, violence, and reconciliation, and across genres and languages. Showing how subsequent authors have parodied or inverted the castaway tale, Palmer concentrates on the period following H. G. Wells's The Island of Dr. Moreau. These much darker visions are seen in later novels including William Golding's Lord of the Flies, J. G. Ballard's Concrete Island, and Iain Banks's The Wasp Factory. In these and other variations, the castaway becomes a cannibal, the castaway's island is relocated to center of London, female castaways mock the traditional masculinity of the original Crusoe, or Friday ceases to be a biddable servant. By the mid-twentieth century, the castaway tale has plunged into violence and madness, only to see it return in young adult novels—such as Scott O'Dell's Island of the Blue Dolphins and Terry Pratchett's Nation—to the buoyancy and optimism of the original. The result is a fascinating series of revisions of violence and pessimism, but also reconciliation.
NEW ENTRY IN THE BOUNDARY SERIES BY ERIC FLINT & RYK E. SPOOR Surviving crash-landings and monsters and island-eaters was only the beginning! The Kimei family and a second group of castaways, led by Sergeant Campbell, had finally joined forces after both had been forced to land on the bizarre planet Lincoln, whose continents were huge floating coral colonies, inhabited by even stranger lifeforms. They had survived crash-landings and venom-filled bites and disease, their own despair, and even the destruction—and consumption!—of one of their floating islands, and had learned to live, even prosper, in their strange new home. Far away, Lieutenat Susan Fisher slowly pieces together the mystery of what happened to the starship Outward Initiative . . . and begins to believe that—just possibly—some of the survivors might have escaped to a mysteriously unsuspected star system. But even her preparations and the resourcefulness of the castaways may not be enough . . . for Lincoln has far worse in store. At the publisher's request, this title is sold without DRM (Digital Rights Management). Praise for previous books in this series: “[F]ast-paced sci-fi espionage thriller . . . light in tone and hard on science . . .” —Publishers Weekly on Boundary “The whole crew from Flint and Spoor's Boundary are back. . . . Tensions run high throughout the Ceres mission . . . a fine choice for any collection.” —Publishers Weekly on Threshold “[P]aleontology, engineering, and space flight, puzzles in linguistics, biology, physics, and evolution further the story, as well as wacky humor, academic rivalries, and even some sweet romances.” —School Library Journal on Boundary
Now with new prose material and art! Paradigms Shift, Worlds Collide! A daring and resourceful paleontologist uncovers something at the infamous K-T boundary marking the end of dinosaurs in the fossil record something big, dangerous, and absolutely, categorically impossible. It's a find that will catapult her to the Martian moon Phobos, then down to the crater-pocked desert of the Red Planet itself. For this mild-mannered fossil hunter may just have become Earth's first practicing xenobiologist! At the publisher's request, this title is sold without DRM (Digital Rights Management).
Longlisted for the Andrew Carnegie Medals for Excellence 2017 “Galvanizing and deeply compassionate.” —O Magazine From Time magazine's European Union correspondent, a powerful exploration of the refugee crisis in the Mediterranean, told through the stories of migrants who have made the perilous journey into Europe In 2015, more than one million migrants and refugees, most fleeing war-torn countries in Africa and the Middle East, attempted to make the perilous journey into Europe. Around three thousand lost their lives as they crossed the Mediterranean and Aegean in rickety boats provided by unscrupulous traffickers, including over seven hundred men, women, and children in a single day in April 2015. In one of the first works of narrative nonfiction on the ongoing refugee crisis and the civil war in Syria, Cast Away describes the agonizing stories and the impossible decisions that migrants have to make as they head toward what they believe is a better life: a pregnant Eritrean woman, four days overdue, chooses to board an obviously unsafe smuggler's ship to Greece; a father, swimming from a sinking ship, has to decide whether to hold on to one child or let him go to save another. Veteran journalist Charlotte McDonald-Gibson offers a vivid, on-the-ground glimpse of the pressures and hopes that drive individuals to risk their lives. Recalling the work of Katherine Boo and Caroline Moorehead, Cast Away brings to life the human consequences of one of the most urgent humanitarian issues of our time.
For those of us who know and love the incomparable Odyssey of Homer (and there are many), Dr. Hexter has created a valuable, detailed analysis, taking into account many of Homer's most fascinating subtleties.
The miraculous account of the man who survived alone and adrift at sea longer than anyone in recorded history. For fourteen months, Alvarenga survived constant shark attacks. He learned to catch fish with his bare hands. He built a fish net from a pair of empty plastic bottles. Taking apart the outboard motor, he fashioned a huge fishhook. Using fish vertebrae as needles, he stitched together his own clothes. Based on dozens of hours of interviews with Alvarenga and interviews with his colleagues, search and rescue officials, the medical team that saved his life and the remote islanders who nursed him back to health, this is an epic tale of survival. Print run 75,000.
The author of On First Looking into Homer’s Odyssey reports of this work: My enthusiasm for the Homeric epics dates to 1933, when in Frank Durkee’s sophomore English class in Somerville (New Jersey) High School, I was introduced to the Odyssey in the Butcher & Lang prose translation. We students had already been exposed to Classical mythology in the elementary grades, and I had read on my own Bulfinch’s Age of Fable, a treasured birthday present. Mr. Durkee presented the Odyssey as a collection of fabulous adventures, and I read with excitement about the Cyclops, the witch Circe, the Sirens and Scylla and Charybdis. In my late teens and early twenties I read and re-read the Iliad in various translations, eager to explore the events which preceded the Odyssey. In my mid-thirties, I undertook to master Classical Greek, impelled in great part by a desire to read Homer in the original. When I declared to Vera Lachmann, a Brooklyn College Classics professor who invited me to read Greek with her on Saturday mornings, that I was coming to believe that there was Homer and other literature, she exclaimed, “It’s about time you came to that conclusion!” Returning to university in 1961 to pursue courses toward a doctorate, I exposed in my dissertation Byron’s critique of the Homeric epics in his comic epic, Don Juan. Appointed in 1966 to found a Classics department at Brock University, a newly established Ontario institution, I developed an intensive survey course of Classical literature in translation (from which I hoped to recruit students for courses in Latin and Greek). The first day of class of the survey course, I would announce: “People think that if they can read a newspaper they know how to read, and, indeed, you may be able to read a bestseller with minimal effort, but the works we will be studying this year require a special effort, a special kind of reading. Masterworks like the Homeric epics are to be approached as congealed life. Almost every line exposes a view of the world that Cicero denominated humanitas. And so this year you are going to learn how to read the Greek and Roman classics and to investigate an alternate view of the world to the Judaeo-Christian.” The approach I have followed in the two volumes exploring Homer’s dramatic artistry is similar to that I pursued in my classes more than forty years ago.