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The Democratic Arts of Mourning reflects on the variety of ways in which mourning affects political and social life. In recent decades, political theorists have increasingly examined and explored the themes of loss, grief, and mourning. With an introduction that contextualizes the turn to mourning in previous scholarship on the politics of tragedy, this book includes twelve chapters that clarify the intertwinement between politics and mourning. The chapters are organized into five thematic sections that each shed light on how democratic societies relate to loss, grief, suffering, and death. Collectively, the chapters explore the concept of mourning and its relationship to civic rituals, memorials, taboos, social movements, and popular music. Chapters examine how social groups defend their members against experiences of grief or mourning, or how poetic expressions—such as ancient Greek tragedy—can address the catastrophes of human life. Other chapters explore the politics of symbols and bodies, and how they can become fraught objects that stand in for a society’s undigested—unmourned—losses and absences. The book concludes with an interview with Bonnie Honig, whose own work on mourning has been deeply influential in contemporary political theory.
A fun fake dating, enemies to lovers romantic comedy set in New York City from USA Today bestselling author Tracy Goodwin. Jilted socialite teams up with bad boy billionaire: Game on! Wedding planner Cassandra Benedict sells happily-ever-afters for a living. But when Cassie gets stood up at her own wedding, the whole humiliating experience is witnessed by the crème-de-la crème of New York's elite. Cassie comes from a wealthy family, but she built her business through hard work, and now she feels like a fool. She's walking down the road in her ruined dress carrying her beagle decked out in his brides man tutu, when who should offer her a ride but her ex-college boyfriend, Andrew Steele. Just great. Andrew's journey has been very different. Coming from nothing, Andrew grew up watching the "haves" duke it out in the Hamptons, so he learned and evolved. Now he's New York's hottest celebrity billionaire and darling of the paparazzi, which Cassie despises. But Andrew proposes a mutually beneficial fake relationship that could save her pride and her business. Their sizzling chemistry notwithstanding, bad boy Andrew Steele definitely has the game to pull it off—but is he savvy enough not to fall in love? "An excellent read... As funny as it is heartwarming." —Library Journal for With Neighbors Like This
Interviews with expert researchers reveal to day traders and investors the secrets for finding investment-related information online. The best Web sites, online databases, and other electronic resources used by investment professionals to gather and analyze market data are detailed. Experts interviewed include researchers from General Motors Investment Management Corporation, State Street Global Advisors, Oliver Wyman & Company, and other top firms.
Vengeance permeates English Renaissance drama - for example, it crops up in all but two of Shakespeare's plays. This book explores why a supposedly forgiving Christian culture should have relished such bloodthirsty, vengeful plays. A clue lies in the plays' passion for fairness, a preoccupation suggesting widespread resentment of systemic unfairness - legal, economic, political and social. Revengers' precise equivalents - the father of two beheaded sons obliges his enemy to eat her two sons' heads - are vigilante versions of Elizabethan law, where penalties suit the crimes: thieves' hands were cut off, scolds' tongues bridled. The revengers' language of 'paying' hints at the operation of revenge in the service of economic redress. Revenge makes contact with resistance theory, justifying overthrow of tyrants, and some revengers challenge the fundamental inequity of social class. Woodbridge demonstrates how, for all their sensationalism, their macabre comedy and outlandish gore, Renaissance revenge plays do some serious cultural work.
In the Oresteia Aeschylus addressed the bloody chain of murder and revenge within the royal family of Argos. As they move from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration. In Agamemnon, a king's decision to sacrifice his daughter and turn the tide of war inflicts lasting damage on his family, culminating in a terrible act of retribution; The Libation Bearers deals with the aftermath of Clytemnestra's regicide, as her son Orestes sets out to avenge his father's death; and in The Eumenides, Orestes is tormented by supernatural powers that can never be appeased. Forming an elegant and subtle discourse on the emergence of Athenian democracy out of a period of chaos and destruction, The Oresteia is a compelling tragedy of the tensions between our obligations to our families and the laws that bind us together as a society. The only trilogy in Greek drama that survives from antiquity, Aeschylus' The Oresteia is translated by Robert Fagles with an introduction, notes and glossary written in collaboration with W.B. Stanford in Penguin Classics. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
With the advent of online and electronic trading, more investors are turning into traders. This book takes a critical look at the online brokers that offer options trading and shows how trading strategies work in the online world.
Former CIA agent Charlie Brewer finds himself the bait in a trap set by the United States and Iran. “Best thriller I’ve read in years” (The Washington Post). Meet Robert McCall, a man sinking deep into the seamy underside of intelligence work, into activities he knows are both illegal and immoral. Now McCall sees a chance to redeem himself by thwarting a daring plot to smuggle America’s most lethal high-tech war material to Iran. It’s a chance he’s ready to kill for. The likely victim: Charlie Brewer, a brilliant, embittered former intelligence operative who is desperate for answers. He was framed for an illegal arms deal and doesn’t know why; he’s been released from prison and doesn’t know why; he thinks he’s been marked for murder and doesn’t know why. When Brewer is approached by Iran’s most ruthless secret agent, he realizes treason may be the price of survival. “Up there with The Day of the Jackal for consistently sustained excitement.” —Gregory McDonald “The pace is smoothly breakneck, the plot wonderfully intricate and clear, the characters richly diverse. The pleasure of this satisfying thriller is increased by its effective humor and some delicious twists at the end.” —Publishers Weekly
In a time of acute crisis when our societies face a complex series of challenges (race, gender, inclusivity, changing pedagogical needs and a global pandemic) we urgently need to re-access the nature of our engagement with the Classical World. This edited collection argues that we need to discover new ways to draw on our discipline and the material it studies to engage in meaningful ways with these new academic and societal challenges. The chapters included in the collection interrogate the very processes of reception and continue the work of destabilising the concept of a pure source text or point of origin. Our aim is to break through the boundaries that still divide our ancient texts and material culture from their reception, and interpretive communities. Our contributors engage with these questions theoretically and/or through the close examination of cultural artefacts. They problematise the concept of a Western, elitist canon and actively push the geographical boundaries of reception as both a local and a global phenomenon. Individually and cumulatively, they actively engage with the question of how to marshal the classical past in our efforts to respond to the challenges of our mutable contemporary world.