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Sam Hicks: ex-SAS, no ties, no family, and nothing to lose. Darwyn: his former Sergeant. Umata: a deadly female operative from Israeli Special Forces. They're the perfect team to go deep undercover and take down Darkwater, the outfit that's made private military contractor Jason King a billionaire, profiteering from war the world over. Because King isn't content with just riches; he wants power. His next step? Fascist empire. Amazing Améziane's wild yet thoroughly researched world of tough-talking mercs, pop-art layouts, twisty plots, and pop-cultural references are a must for fans of hardcore action from "Strike Back" to "The Losers."
In "Nell's Cowboy," a widow running a ranch deals with a customer known for his writings on the West, while in "Lone Star Baby," minister Wade McMillen aids Amy Thornton when she shows up pregnant and alone in the town of Promise.
Annotation This third volume of the Savage Frontier series focuses on the evolution of the Texas Rangers and frontier warfare in Texas during the years 1840 and 1841. Comanche Indians were the leading rival to the pioneers during this period. Peace negotiations in San Antonio collapsed during the Council House Fight, prompting what would become known as the "Great Comanche Raid" in the summer of 1840. Stephen L. Moore covers the resulting Battle of Plum Creek and other engagements in new detail. Rangers, militiamen, and volunteers made offensive sweeps into West Texas and the Cross Timbers area of present Dallas-Fort Worth. During this time Texas' Frontier Regiment built a great military road, roughly parallel to modern Interstate 35. Moore also shows how the Colt repeating pistol came into use by Texas Rangers. Finally, he sets the record straight on the battles of the legendary Captain Jack Hays. Through extensive use of primary military documents and first-person accounts, Moore provides a clear view of life as a frontier fighter in the Republic of Texas. The reader will find herein numerous and painstakingly recreated muster rolls, as well as casualty lists and a compilation of 1841 rangers and minutemen. For the exacting historian or genealogist of early Texas, the Savage Frontier series is an indispensable resource on early nineteenth-century Texas frontier warfare.
In Adventure Time, Jake's insides are cursed to smell like vanilla. Michelangelo from the Teenage Mutant Ninja Turtles had his name misspelt for 20 years. Jim Davis created Garfield to see if he could make a character successful even though it isn't funny. The Simpsons characters, Itchy & Scratchy nearly had a spin-off. Zoidberg from Futurama has a pet slinky. Scrooge McDuck from Ducktales is immortal. SpongeBob SquarePants has won two BAFTAs. Queen Elizabeth II said her favourite scary movie is How the Grinch Stole Christmas. Dr. Krieger from Archer is a clone of Hitler. The word "radiation" couldn't be used in the cartoon, Spider-Man. Scooby Doo's real name is Scoobert. Mickey Mouse gas masks were created for children during World War II. Originally, Popeye the Sailor said spinach is full of Vitamin A, not iron. One of the villains in The Powerpuff Girls is a parody of Yoko Ono. Dragon Ball Z villain, Frieza, is based on a real-estate speculator. The creators of South Park hate Family Guy.
Between the world wars, America embraced an image of the Ozarks as a remote land of hills and hollers. The popular imagination stereotyped Ozarkers as ridge runners, hillbillies, and pioneers—a cast of colorful throwbacks hostile to change. But the real Ozarks reflected a more complex reality. Brooks Blevins tells the cultural history of the Ozarks as a regional variation of an American story. As he shows, the experiences of the Ozarkers have not diverged from the currents of mainstream life as sharply or consistently as the mythmakers would have it. If much of the region seemed to trail behind by a generation, the time lag was rooted more in poverty and geographic barriers than a conscious rejection of the modern world and its progressive spirit. In fact, the minority who clung to the old days seemed exotic largely because their anachronistic ways clashed against the backdrop of the evolving region around them. Blevins explores how these people’s disproportionate influence affected the creation of the idea of the Ozarks, and reveals the truer idea that exists at the intersection of myth and reality. The conclusion to the acclaimed trilogy, The History of the Ozarks, Volume 3: The Ozarkers offers an authoritative appraisal of the modern Ozarks and its people.
With five years’ worth of much-loved comics under her belt, Hewlett and Martin’s titular hero Tank Girl was on a roll. What could go wrong? Enter Hollywood, with its tantalising plastic baubles of fame and glittering stacks of fool’s gold. Jamie and Alan succumbed, signed up, and sold out. During the turmoil of movie production, they continued to spew forth an increasingly bizarre stream of comic strips. And here they are! Re-colored in sympathetic style, and bolstered by a festering heap of unseen artwork and photos. Skill!
The third of four volumes that cover the Tucson entertainment scene during the second half of the 20th century. This 3rd volume features Tucson musicians, actors and sports personalities from the 1990s. More than 220 pages and thousands of entertainers, hundreds of articles, interviews and original photos published in the Entertainment Magazine into the early 2000s.
Artist and former actor turned Midwestern country boy, Dixon Pierce, has fallen head over heels in love with cowboy Gray McKeever at Glock Ranch in Stockton County. The two cowboys plan to get married, with an extraordinary wedding service and reception to follow. While Dixon works on art, Gray runs a hot sauce company called Roping Cowboys in downtown Tulsa. Both are occupied with their careers, but always come together in the evening hours for some heavy-duty, cowboy romp-time between the sheets. But trouble lurks in their relationship when Dixon learns that Gray’s ex-boyfriends Toby wants to steal back the hot sauce creating cowboy. Then Dixon catches Gray and Toby in a compromising position, and all hell breaks loose. Dixon pulls himself away from his art and upcoming art show to try to rein in his cowboy and future husband. But Toby is not about to lose Gray a second time. Gray is torn between the two men. He loves Dixon, but seeing Toby again reignited the flame he once held. Will he be able to choose one cowboy over the other before Dixon and Toby come to blows over him?
Collects Spider-Gwen (2015B) #14-15 and Annual #1, and All-New Wolverine Annual #1. Will Thanksgiving be a happy one for Spider-Gwen and friends? That very much depends on what crime lord Matt Murdock and his ninjas bring to dinner! It’s time for Gwen Stacy to stop running from Earth-65’s Kingpin of Crime — but Matt may have a thing or two to teach the budding Spider-Woman! Plus: The Mary Janes get loud, and Gwen spends some time with her ever-expanding social circle — including a secret mission with Captain America! She-Hulk! And her BPFF (best pig friend forever), Spider-Ham! But when Gwen and All-New Wolverine Laura Kinney undergo a transdimensional body-swap team-up, is this the start of a beautiful friendship?
Collects Daredevil (1964) #185-191, Û Daredevil: Love & War, and What If? #28. Two assassins. One hero. It didn't end well. But Elektra's death was only the foundation for one of Frank Miller's most staggering sagas of the Man Without Fear! The Hand and the Chaste are in a race for Elektra, body and soul, and Natasha Romanova, the Black Widow, almost follows her rival into the grave while Daredevil's trapped in a coffin of his own design! Can his sarcastic sensei Stick rescue him from sensory overload, just in time for hand-to-Hand combat? Plus, the continuing tragedy of Heather Glenn, Foggy Nelson's foray into organized crime, a path not taken to the S.H.I.E.L.D. Helicarrier, and the only villain who gets less respect than Stilt-Man ... a second Stilt-Man! Featuring the Kingpin, Bullseye, and Hydra!