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The Clues Kids, five foster children living with Chief Klink and his wife, suspect their new neighbors of being counterfeiters.
Funny Money Man & Dirty Money Man A Modern Day Pulp By: Richard Beauregard Funny Money Man & Dirty Money Man: A Modern Day Pulp is a series of mystery/thriller short stories. The stories detail various characters’ attempts to overcome poor decisions with money, alcohol, and other vices. Ultimately what is inescapable in Beauregard’s short stories is that you pay for the bad things that you do.
The Clues Kids, five foster children living with Chief Klink and his wife, suspect their new neighbors of being counterfeiters.
Provide focused practice for sixth graders in areas such as comprehension, vocabulary, language, and reasoning. Grade-appropriate flash cards, completion chart, and skills matrix are also provided. Meets NCTE standards.
The San Diego branch of the Secret Service is receiving some absolutely perfect counterfeit U.S. currency in the mail, and getting nervous. A flood of these bogus bucks could cripple the economy – which is just what Mr Gordons threatens to do unless he receives a computer program developed by NASA for use in unmanned space flights. Yet the program is virtually useless within a million miles of earth . . . Just who is this Mr Gordons? What is the source of his mysterious powers? And what is his relationship with the beautiful, brilliant scientist who heads the space research program? Only one man can crack the plot. Remo Williams is The Destroyer, an ex-cop who should be dead, but instead fights for the secret government law-enforcement organisation CURE. Trained in the esoteric martial art of Sinanju by his aged mentor, Chiun, Remo is America’s last line of defence. Breathlessly action-packed and boasting a winning combination of thrills, humour and mysticism, the Destroyer is one of the bestselling series of all time.
Wallace Stevens was not only one of America's outstanding modernist poets but also a successful insurance lawyer--a fact that continues to intrigue many readers. Though Stevens tried hard to separate his poetry from his profession, legal theorist Thomas Grey shows that he did not ultimately succeed. After stressing how little connection appears on the surface between the two parts of Stevens's life, Grey argues that in its pragmatic account of human reasoning, the poetry distinctively illuminates the workings of the law. In this important extension of the recent law-and-literature movement, Grey reveals Stevens as a philosophical poet and implicitly a pragmatist legal theorist, who illustrates how human thought proceeds through "assertion, qualification, and qualified reassertion," and how reason and passion fuse together in the act of interpretation. Above all, Stevens's poetry proves a liberating antidote to the binary logic that is characteristic of legal theory: one side of a case is right, the other wrong; conduct is either lawful or unlawful. At the same time as he discovers in Stevens a pragmatist philosopher of law, Grey offers a strikingly new perspective on the poetry itself. In the poems that develop Stevens's "reality-imagination complex"--poems often criticized as remote, apolitical, and hermetic--Grey finds a body of work that not only captivates the reader but also provides a unique instrument for scrutinizing the thought processes of lawyers and judges in their exercise of social power.
Sequel to: The case of the missing servant.
‘An hilarious account of Arthur’s attempts to earn enough money to buy a T-shirt and cap, assisted by his sister Violet. Simple business concepts are ingeniously woven into the story. This marvelous book will capture the interest of eager learners and creative teachers.’ —YC. Children's Choices for 1982 (IRA/CBC) Children's Books of 1981 (Library of Congress)
Tony Valentine has a gift for grift: He can walk into a casino and spot a cheater across a crowded floor. A man who still uses pay phones and won’t spend more than a buck for coffee, Tony has protected Atlantic City gambling palaces for twenty years and learned every trick of the trade—until a new one blows him away. With his old partner murdered in a bomb blast, Tony returns to A.C. to retrace Doyle Flanagan’s last case. Investigating a six-million-dollar casino takedown, a square cop soon meets a whole lot of bent people, from a beautiful lady wrestler to some Manhattan mobsters; from a trio of beautiful casino “consultants” to a team of Eurotrash blackjack card counters. But while everyone around Tony Valentine (including Tony’s own son) is playing some kind of angle, Tony is determined to find a killer who is playing for keeps. . . . From the Paperback edition.
The Long-Awaited, Enormously Entertaining Memoir by One of the Great Artists of Our Time—Now a New York Times, USA Today, Los Angeles Times, and Publisher’s Weekly Bestseller. In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Annie and Her Sisters to his most recent films, including Midnight in Paris. Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure. This is a hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time.