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The fascinating story of an important lottery that flourished in France from 1757 to 1836 and its role in transforming our understanding of the nature of risk. In the 1750s, at the urging of famed adventurer Giacomo Casanova, the French state began to embrace risk in adopting a new Loterie. The prize amounts paid varied, depending on the number of tickets bought and the amount of the bet, as determined by each individual bettor. The state could lose money on any individual Loterie drawing while being statistically guaranteed to come out on top in the long run. In adopting this framework, the French state took on risk in a way no other has, before or after. At each drawing the state was at risk of losing a large amount; what is more, that risk was precisely calculable, generally well understood, and yet taken on by the state with little more than a mathematical theory to protect it. Stephen M. Stigler follows the Loterie from its curious inception through its hiatus during the French Revolution, its renewal and expansion in 1797, and finally to its suppression in 1836, examining throughout the wider question of how members of the public came to trust in new financial technologies and believe in their value. Drawing from an extensive collection of rare ephemera, Stigler pieces together the Loterie’s remarkable inner workings, as well as its implications for the nature of risk and the role of lotteries in social life over the period 1700–1950. Both a fun read and fodder for many fields, Casanova's Lottery shines new light on the conscious introduction of risk into the management of a nation-state and the rationality of playing unfair games.
"The remarkable story of Giacomo Casanova (1725-1798), an impoverished abandoned boy who became the notorious libertine, famous writer, and correspondent with figures such as Voltaire, Louis XV, and Catherine the Great in decadent 18th-century Europe."--Provided by publisher.
This is both the life of Giacomo Casanova and a chronicle of eighteenth-century Europe. Giacomo Casanova (1725-1798) was born the son of a moderately poor acting family at a time when the stage carried enormous social stigma. Yet in his own lifetime he achieved celebrity across Europe, rubbing shoulders with numerous of the eighteenth century's greatest men and women, from Frederick the Great to Catherine the Great, from Voltaire to Albrecht von Haller, from Pope Benedict XIV to Pope Clement XIII. It was a fame that had little to do with his romantic exploits. This was to come later, following upon the posthumous publication of his magnificent History of My Life. An adventurer and a man of learning, his was an extraordinary life whose story was intertwined with the story of eighteenth-century Europe. To try to understand this fascinating character we need also to try to understand the period in which he lived. This is the aim of Casanova's Life and Times.
A definitive profile of the eighteenth-century Venetian adventurer Giacomo Casanova, whose name has become a synonym for seduction, looks at history's most famous lover from a female perspective, throwing light on a dangerous and beguiling man, as seen through the eyes of the women who loved him.
A study of the relationship between realism, probability and chance in eighteenth-century fiction.
"In 1994, historian Stephen Stigler placed a mail-order purchase for a rare bit of ephemera from a French bookstore: a lottery Almanac from 1834. It contained the winning numbers for the entire span of the French Loterie from 1758 onward, including details on prizes actually awarded-difficult data to come by-as well as hand-written notes by an early owner. Stigler was fascinated with what he saw about how the Loterie was carried out, who bought tickets, and what size bets they placed, and so in the decades that followed he amassed booklets, legal documents, advertising bills, notices, contracts, and tickets. His own collection and extensive additional research helped him piece together the Loterie's remarkable inner workings, as well as its implications for how we understand the history of risk more broadly. In the 1750s at the urging of famed philandering adventurer Giocomo Casanova (who had recently escaped from a Venetian prison by means of a sharpened iron, an accomplice, a rope of bed sheets, and a stolen gondola), the French state began to embrace risk in its approach to the Loterie. The prize amounts varied depending on the number of tickets bought, and the amount of the bet was determined by each individual bettor. The state could lose money on any individual lot but was statistically guaranteed it would come out on top in the long run. Stigler follows the Loterie from its curious inception to a 1776 expansion, to its interruption during the French Revolution (but only with the Terror of 1793), to its renewal in 1797 and further expansion, and finally to its suppression in 1836, examining throughout the wider question of how members of the public came to trust in new financial technologies and believe in their value"--
Although beset by social, political, and economic instabilities, interwar Vienna was an exhilarating place, with pioneering developments in the arts and innovations in the social sphere. Research on the period long saw the city as a mere shadow of its former imperial self; more recently it has concentrated on high-profile individual figures or party politics. This volume of new essays widens the view, stretching disciplinary boundaries to consider the cultural and social movements that shaped the city. The collapse of the Austro-Hungarian Empire resulted not in an abandonment of the arts, but rather led to new forms of expression that were nevertheless conditioned by the legacies of earlier periods. The city's culture was caught between extremes, from neopositivism to cultural pessimism, Catholic mysticism to Austro-Marxism, late Enlightenment liberalism to rabid antisemitism. Concentrating on the paradoxes and often productive tensions that these created, the volume's twelve essays explore achievements and anxieties in fields ranging from modern dance, theater, music, film, and literature to economic, cultural, and racial policy. The volume will appeal to social, cultural, and political historians as well as to specialists in modern European literary and visual culture. Contributors: Andrea Amort, Andrew Barker, Alys X. George, Deborah Holmes, Jon Hughes, Birgit Lang, Wolfgang Maderthaner, Therese Muxeneder, Birgit Peter, Lisa Silverman, Edward Timms, Robert Vilain, John Warren, Paul Weindling. Deborah Holmes is Researcher at the Ludwig Boltzmann Institute for the History and Theory of Biography in Vienna. Lisa Silverman is Assistant Professor of History and Jewish Studies at the University of Wisconsin-Milwaukee.
Gambling has been a practice central to many cultures throughout history. In Dice, Cards, Wheels, Thomas M. Kavanagh scrutinizes the changing face of the gambler in France over a period of eight centuries, using gambling and its representations in literature as a lens through which to observe French culture. Kavanagh argues that the way people gamble tells us something otherwise unrecognized about the values, conflicts, and cultures that define a period or class. To gamble is to enter a world traced out by the rules and protocols of the game the gambler plays. That world may be an alternative to the established order, but the shape and structure of the game reveal indirectly hidden tensions, fears, and prohibitions. Drawing on literature from the Middle Ages to the present, Kavanagh reconstructs the figure of the gambler and his evolving personae. He examines, among other examples, Bodel's dicing in a twelfth-century tavern for the conversion of the Muslim world; Pascal's post-Reformation redefinition of salvation as the gambler's prize; the aristocratic libertine's celebration of the bluff; and Balzac's, Barbey d'Aurevilly's, and Bourget's nineteenth-century revisions of the gambler. Dice, Cards, Wheels embraces the tremendous breadth of French history and emerges as a broad-ranging study of the different forms of gambling, from the dice games of the Middle Ages to the digital slot machines of the twenty-first century, and what those games tell us about French culture and history.