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Hacked from the diseased wood of a graveyard tree, they were nightmare figures covered with spines and evil markings. Once their rampage of terror began, no one could survive their savage, slashing teeth and unholy lust for destruction.
Artists around the world have lately been turning to their bookshelves for more than just a good read, opting to cut, paint, carve, stitch or otherwise transform the printed page into whole new beautiful, thought-provoking works of art. Art Made from Books is the definitive guide to this compelling art form, showcasing groundbreaking work by today's most showstopping practitioners. From Su Blackwell's whimsical pop-up landscapes to the stacked-book sculptures of Kylie Stillman, each portfolio celebrates the incredible creative diversity of the medium. A preface by pioneering artist Brian Dettmer and an introduction by design critic Alyson Kuhn round out the collection.
Full-color, illustrated instructions for learning chip carving, showing how to create borders, rosettes, and lettering.
This comprehensive guide examines the personal histories, roles, and personalities that played into the traditional cultural art of carving. It also traces the influence of European patronage and the ensuing tourist trade upon this art form, as many Maori carvers began styling and catering their product to meet their clients’ aesthetic desires. Included is a discussion of the establishment of the government-sponsored Rotorua School of Maori Art in 1928, which appointed as the main tutor Eramiha Kapua, a Ngati Tarawhai carver, thus helping his own traditional tribal art to make the transition into a modern “national” art.
Mr. Hiroshi Tsuyuki, the Japanese authority on Jewelry Wax Modeling, uses an innovative approach to teaching the technique of wax modeling. Often a process is easier shown than described in so many words. This book was conceived through the author's teaching experience -- more photos and sketches and less text resulting in less over-the-shoulder supervision. By introducing new techniques in each project, his students were able to progress more rapidly towards independence in design concepts. While preparing a model for casting and the actual casting process are adequately explained in most casting books, very little space is devoted to the design and creation of wax models. Mr. Tsuyuki presents 11 basic projects in this book, each one designed to teach the use of certain tools and types of waxes in a progressive manner as one's skills improve. Each step of every project is accompanied by a photo and text and in some cases supplementary sketches and notes are provided to clarify those particular processes. Paying careful attention to the photos, noting the demonstrator's hand position and the type of tool being used, eliminates any confusion which may result from the text. After each basic model is completed the author offers a number of sketches suggesting design possibilities using the techniques learned in the construction of the basic model. Mr. Tsyuki states that by conscientiously completing each project, the student should be well on the way to becoming a designer/modeler. This book is 112 pages and has 283 photos and illustrations.
In clear, straightforward language, Sayers carefully guides the reader through the fundamentals — what tools and materials to use and how to use them. Still the finest book for the beginning student in wood sculpture.
Includes his highly sought-after Barton Capitals and Foliated Alphabet templates, which have never been published Barton details his expert philosophies, knowledge, and instruction on line, design, carving, finishing, and much more The last book by Wayne Barton, a leading icon in wood chip carving Wayne Barton is a renowned wood chip carving artist with 7 best-selling books published in 6 countries, and is the founder of The Alpine School of Woodcarving
This how-to book has carving instructions for model rainbow, brown and brook trout, bluegill, largemouth bass, lionfish and queen angelfish. There are step-by-step instruction on painting rainbow, brook and golden trout, Yellowstone, Rio Grande and Lahontan cutthroats
Carving Woodspirits: The Basics is A Complete Step-By-Step Guide for Carving Faces in Wood. In this book you will learn basic woodcarving fundamentals including, tool selection, safety, best woods to carve, how to sharpen carving tools, how to apply finish to a project, and how to make basic woodcarving cuts. The main body of the book covers in great detail how to carve a woodspirit face. Beginner carvers will appreciate that only 3 commonly used tools are required to complete the project. The concepts and techniques learned in Carving Woodspirits: The Basics can easily be applied to other face carving projects. Authors Susan Hendrix and PJ Peery have been teaching woodcarvers for over 20 years and have a wealth of knowledge to share. Tips, tricks, and techniques from these many years of experience are clearly explained to help shorted the learning curve and will provide a foundation for newer carvers. This truly is the best first book and best first project for a woodcarver.
On September 13, 2008, Hurricane Ike made landfall in Galveston with a 12-foot storm surge that flooded most of the island. The salt water then killed between 40,000 and 50,000 trees in Galveston. After they died, the trees were cut down. A local citizen made the suggestion to carve the stumps into sculptures. Three different professional artists and one amateur artist carved all of the carvings on the island. The first carving was completed in 2009, and the stumps continue to be carved as of 2014. They have become a must-see tourist attraction in Galveston.