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Her gilded world holds a deeply hidden secret. After years of tragedy, Gwen Kellerman now lives a quiet life as a botanist at an idyllic New York college. She largely ignores her status as heiress to the infamous Blackstone dynasty and hopes to keep her family's heartbreak and scandal behind her. Patrick O'Neill survived a hardscrabble youth to become a lawyer for the downtrodden Irish immigrants in his community. He's proud of his work, even though he struggles to afford his ramshackle law office. All that changes when he accepts a case that is sure to emphasize the Blackstones' legacy of greed and corruption by resurrecting a thirty-year-old mystery. Little does Patrick suspect that the Blackstones will launch their most sympathetic family member to derail him. Gwen is tasked with getting Patrick to drop the case, but the old mystery takes a shocking twist neither of them saw coming. Now, as they navigate a burgeoning attraction and growing danger, Patrick and Gwen will be forced to decide if the risk to the life they've always held dear is worth the reward. Elizabeth Camden's writing is full of . . . "Richly drawn characters and fascinating American history."-- All About Romance "Fabulous love stor[ies] wrapped around compelling historical events."--Booklist "Adventuresome, entertaining romance."--Foreword Reviews
Overlooking the Hudson River on the campus of the United States Military Academy at West Point are 12 granite benches, each inscribed with a word representing a key leadership virtue: compassion, courage, dedication, determination, dignity, discipline, integrity, loyalty, perseverance, responsibility, service, and trust. These benches remind cadets of the qualities that lead to victory and success, not just on the battlefield, but in all of life. With his signature enthusiasm and insight, Pat Williams shares the incredible stories of West Point graduates who exemplified these traits, from the Civil War to the War on Terror. He shows readers of all backgrounds how to develop these 12 essential virtues in their lives, whether they are in the corporate world, the academic world, the military, the church, or in some other sphere.
Referred to by some as The Eighth Wonder of the World, Stone Mountain, located 16 miles from Atlanta, Georgia, is the largest exposed mass of granite in the world. Freeman, a freelance historian, narrates the development of the mountain from the days that it served as a Native American domain, through the carving of an historic Confederate monument, to its present status as a tourist attraction and recreational area. Enhanced with bandw photographs. Annotation copyrighted by Book News, Inc., Portland, OR
This is an overview of different case studies of rock-cut sites and quarries, approached as knots in the network of people-stone interactions.
Evocative photographs and essay illuminate early American gravestones Gravestones are colonial America's earliest sculpture and they provide a unique physical link to the European people who settled here. Carved in Stone book is an elegant collection of over 80 fine duotone photographs, each a personal meditation on an old stone carving, and on New England's past, where these stones tell stories about death at sea, epidemics such as small pox, the loss of children, and a grim view of the afterlife. The essay is a graceful narrative that explores a long personal involvement with the stones and their placement in New England landscape, and attempts to trace the curious and imperfectly documented story of carvers. Brief quotes from early New England writers accompany the images, and captions provide basic information about each stone. These meditative portraits present an intimate view of figures from New England graveyards and will be enjoyed by anyone with an interest in early Americana and fine art photography.
Despite the recent history of violence and destruction, Bosnia-Herzegovina holds a positive place in history, marked by a continuous interweaving of different religious cultures. The most expansive period in that regard is the Ottoman rule that lasted here nearly five centuries. As many Bosnians accepted Islam, the process of Islamization took on different directions and meanings, only some of which are recorded in the official documents. This book underscores the importance of material culture, specifically gravestones, funerary inscriptions and images, in tracing and understanding more subtle changes in Bosnia’s religious landscape and the complex cultural shifts and exchange between Christianity and Islam in this area. Gravestones are seen as cultural spaces that inscribe memory, history, and heritage in addition to being texts that display, in image and word, first-hand information about the deceased. In tackling these topics and ideas, the study is situated within several contextual, theoretical, and methodological frameworks. Raising questions about religious identity, history, and memory, the study unpacks the cultural and historical value of gravestones and other funerary markers and bolsters their importance in understanding the region’s complexity and improving its visibility in global discussions around multiculturalism and religious pluralism. Drawing upon several disciplinary methods, the book has much to offer anyone looking for a better understanding of the intersection of Christianity and Islam, as well as those with an interest in death studies.
The early medieval period witnessed one of the deepest and most significant transformations of European societies and cultures with the process of Christianisation. The emergence and establishment of Christianity created a new dimension of power in society with an appeal to supernatural forces combined with an access to a broader transnational authority. Carved stones did not merely reflect these changes, but enabled them within northern societies with traditions of sculpture and epigraphic representations. This book looks at three datasets of monuments from Ireland, Scotland and Sweden using an innovative comparative framework to offer new insights on these monuments and the societies that erected them.Analysed through the three major themes of place, movement, and memory, the case studies are presented from a holistic perspective comprising the monument, their landscape settings and historical and archaeological contexts (when available). The results of this research demonstrate that by means of comparisons across national boundaries, new interpretations emerge on the use and functions of early medieval carved stones. The thematic approach adopted emphasises similarities and contrasts in a more efficient manner than a geographical approach, freed from historiographical biases within scholarly traditions of 'Celtic' or 'Scandinavian' archaeologies. Furthermore, a multi-scale analysis places the monuments within their local contexts but also within a broader narrative of Christianisation.
Written by an eminent practitioner and teacher, this book guides the novice through the basics of letter carving, drawn lettering, and making simple designs in stone. For the more experienced, it explains a new proportioning system for classical Roman capitals and demonstrates a useful approach to designing letterform variations. The book covers: the development of 20th-century letter carving; tools, materials, stone, and making an easel; drawing a range of alphabets for use in letter carving; inscriptions, gilding, and painting letters; detailed instructions for V-incising the keystrokes of letters; and designing headstones, plaques, and more. A handsome volume, illustrating a wide range of creative pieces and showcasing the exciting new work of contemporary letter carvers.