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Two of opera's greatest names offer encouragement and useful, nontechnical advice in this classic guide. Topics include care and training of the voice, breath control, tone, diction, other aspects of training.
Excerpt from Caruso's Method of Voice Production: The Scientific Culture of the Voice This work, dedicated to him in the last days of his life, was conceived as the faithful interpretation of his perfect and rare singing. For over a decade and a half, I had the privilege of associating with the great artist, not only in the capacity of medical adviser but in the intimacy of a wonderful friendship, and his singing was to me a constant guide and inspiration in my investigations of the many problems of the human voice and vocal art. By closely observing his method of singing, I saw the correct application by the master himself of the natural laws governing the mechanism of voice pro duction, and I had the opportunity, by testing his ideas and principles, of ascertaining that they con formed with those I have developed in the scientific part of this book. As a modest wreath of admiration and friendship I lay this work on the grave of the great artist. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Italian singing technique Bel Canto instructs, "He who knows how to breathe and how to pronounce, knows how to sing." Singing: The First Art incorporates the techniques of Bel Canto along with those of masters like Berton Coffin and Manuel Garcia to promote and facilitate vocal excellence. Many concepts are described, from correct posture and alignment to improving and maintaining proper breathing, from good pronunciation and diction to producing an even, pure tone, and from vocal ranges to singing within and smoothly shifting between vocal registers. Mannes Vocal Faculty member Dan H. Marek effectively breaks down these complicated concepts with clear exercises, helping the vocal student to achieve freedom and complete control over his or her instrument. A primary section on the history of singing stresses the importance of understanding vocal history while inspiring and motivating the student through the experiences of opera stars such as Enrico Caruso, Maria Callas, and Jussi Björling. The second section explains vocal techniques, including the use and proper pronunciation of the IPA (International Phonetic Alphabet), and provides 64 specific exercises with clearly defined goals designed to overcome faults and to develop vocal virtuosity. Complete instructions for transposing the exercises for both male and female voices are included, as well as drawings of the exercises, musical examples from vocal literature, excellent anatomical illustrations by Frank Netter, MD, and copious photographs of opera stars. Singing: The First Art is an invaluable text for students, professionals, singers, conductors, composers, and vocal medical professionals, or anyone interested in understanding and appreciating the vocal art.