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Nearly 400 designs, Gothic to Art Deco and beyond: florals, geometrics, abstracts, Art Nouveau ladies, gods and goddesses, much more.
This lavishly illustrated book is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests—so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery. The book will open your eyes to a new way of looking at maps.
Shows forty decorating styles and demonstrates special painting techniques.
Largest collection of decorated artifacts, all in line; prehistoric, Egyptian, Islamic, Baroque, Victorian, other areas, times. 3,700 illustrations.
Copiously illustrated work depicts splendid array of 13th-16th-century heraldic motifs, drawn from numerous sources and encompassing various media. 8 color plates. Over 250 black-and-white illustrations.
Rich sourcebook of intricate Victorian typefaces and printers' ornamentations — all copyright-free.
DIVA refreshing source of ideas to help you explore all aspects of maps, this book encourages you to travel through the exciting world of cartography. It features 52 fun and creative map-related activities set into weekly artistic exercises./div
One hundred complete fonts from Solo-type Typographers Catalog: upper and lower cases, alternate forms, swash forms, numerals, secondaries. Whiplash, organic, cursive, Orientalized, and other styles. This beautiful, wide range of type fluidities suggest elegance, originality, grace,and a nearness to nature. Most are not available anywhere else.
The notion of the frame in art can refer not only to a material frame bordering an image, but also to a conceptual frame. Both meanings are essential to how the work is perceived. In Framing Russian Art, art historian Oleg Tarasov investigates the role of the frame in its literal function of demarcating a work of art and in its conceptual function affectingthe understanding of what is seen. The first part of the book is dedicated to the framework of the Russian icon. Here, Tarasov explores the historical and cultural meanings of the icon’s,setting, and of the iconostasis. Tarasov’s study then moves through Russian and European art from ancient times to the twentieth century, including abstract art and Suprematism. Along the way, Tarasov pays special attention to the Russian baroque period and the famous nineteenth century Russian battle painter Vasily Vereshchagin. This enlightening account of the cultural phenomenon of the frame and its ever-changing functions will appeal to students and scholars of Russian art history.
DIVThe 19th-century French illustrator's classic reference to the decorative ornament of history's major cultures; over 2,000 royalty-free motifs in 100 beautiful full-color plates. /div