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Thanks to Christopher Hart's simplified process, anyone can create dynamic cartoon characters right away. He has developed the easiest-ever approach to drawing the basics like heads, bodies, and those super-important cartoon expressions. Hart helps beginners apply these fundamentals to a variety of fun types and settings including animals, under-the-sea locales, stock characters, and popular backgrounds. Each lesson is laid out in accessible steps, accompanied by Chris's personable instruction.
Celebrate the best of Looney Tunes cartoons, just in time for Bugs Bunny’s 80th birthday! In a world of rascally rabbits, megalomaniacal ducks, and stuttering pigs, what defines greatness? This question was posed to thousands of cartoon fans, historians, and animators to create The 100 Greatest Looney Tunes Cartoons, the definitive Looney Tunes collection. Jerry Beck and the Cartoon Brew team of animation experts reveal the amusing anecdotes and secret origins behind such classics as “What’s Opera, Doc?,” “One Froggy Evening,” and “Duck Dodgers in the 24½th Century.” Featuring more than 300 pieces of original art from private collectors and the Warner Bros. archives, The 100 Greatest Looney Tunes Cartoons settles the debate on the best of the best, and poses a new question: Is your favorite one of the greatest?
Wish kids came with instructions? At least you can take heart—and have a laugh—in the knowledge that the little dears confound and amuse all of us. Nothing captures our rollicking relationship with them—and theirs with the adult world—quite like New Yorker cartoons. The magazine's brilliant cartoonists (a good number of whom are rumored to have never completely left childhood behind) lead us from the hospital nursery, through toddlerhood, into the school years and beyond-to that long-lasting challenge of being an adult with parents. Selected by Robert Mankoff, cartoon editor of The New Yorker, this collection brings together 126 great cartoons (from artists including George Booth, Roz Chast, Leo Cullum, William Hamilton, Gahan Wilson, Jack Ziegler, and many more). The introduction from the one-and-only Roz Chast gives us a riot of insight and delight-which, come to think of it, is not a bad description of childhood.
The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and "The Simpsons"' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for "Rugrats," Alf Clausen about composing for "The Simpsons," Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about "Casper the Friendly Ghost," Richard Stone about his music for "Animaniacs," Joseph Lanza about "Ren and Stimpy," and much, much more.
The "New Yorker" cartoon editor has collected dead-on portraits and eye-opening ruminations on all things bookish, courtesy of the magazine's renowned stable of cartoonists, from Charles Barsotti to Roz Chast, Ed Koren to Frank Modell, and Jack Ziegler to Victoria Roberts.
50 Ways to Wake Your Human is the second collection of cat cartoons by Scott Metzger. Cat lovers will appreciate the comics, which highlight the ridiculous behavior of felines (and humans) through topics such as music, social media, parenthood, relationships, and living in quarantine. This book will make you laugh, smile, and further appreciate our weird, furry friends who wake us up in the wee hours of the morning.
Showcases the work of hundreds of artists who have contributed to the magazine throughout its eighty-year history, in a richly illustrated volume containing 2,500 black-and-white cartoons by Peter Arno, Charles Addams, Jack Ziegler, Roz Chast, and other notables, along with essays on the evolution of the magazine's humor and style, and a fully searchable DVD-ROM. Reprint. 40,000 first printing.
"In exquisite and thoughtful detail, Mateu-Mestre lays out distinct approaches to drawing in the book's chapters--The Ballpoint Pen, Graphite Pencil, The Digital Way, and The Gray Scale--outlining the benefits and challenges of each, and specific digital editing techniques that can be applied to one's work in all the mediums to achieve the greatest results."--Publisher's description.
A mentor in a book-author and former Disney animator Tom Bancroft shows how to pose and stage your characters to create drama, emotion, and personality.