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We are all critics now. From social media "likes" to reviews on Yelp and Rotten Tomatoes, we're constantly asked to give our opinion and offer feedback. Everyone's a Critic is a curated collection of the best and brightest New Yorker cartoonists celebrating the art of the drawn critique, whether about restaurants, art, sports, dates, friends, or modern life. Featuring the work of thirty-six masters of the cartoon, including Roz Chast, Sam Gross, Nick Downes, Liza Donnelly, Bob Mankoff, Michael Maslin, and Mick Stevens, over half the cartoons in this book appear in print for the first time.
A mentor in a book-author and former Disney animator Tom Bancroft shows how to pose and stage your characters to create drama, emotion, and personality.
The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and "The Simpsons"' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for "Rugrats," Alf Clausen about composing for "The Simpsons," Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about "Casper the Friendly Ghost," Richard Stone about his music for "Animaniacs," Joseph Lanza about "Ren and Stimpy," and much, much more.
Thanks to Christopher Hart's simplified process, anyone can create dynamic cartoon characters right away. He has developed the easiest-ever approach to drawing the basics like heads, bodies, and those super-important cartoon expressions. Hart helps beginners apply these fundamentals to a variety of fun types and settings including animals, under-the-sea locales, stock characters, and popular backgrounds. Each lesson is laid out in accessible steps, accompanied by Chris's personable instruction.
This exuberant collection of cartoons is an enthusiastic love letter to books and bookstores. The cartoons celebrate and critique the literary world through the work of thirty-three of the masters of cartoon art, including Sam Gross, Roz Chast, Arnie Levin, Danny Shanahan, Peter Steiner, Mick Stevens, Nick Downes, Liza Donnelly, Bob Mankoff, and Michael Maslin. Many of the cartoons have been published in the New Yorker, while others are published here for the first time.
One of the world's leading cartoon artists shows readers how to capture the retro look of Sponge Bob, Dexter, and other popular comics, revealing how to recapture the 1950s in cartoons.
Between the classic films of Walt Disney in the 1940s and the televised cartoon revolution of the 1960s was a critical period in the history of animation. Amid Amidi, of the influential Animation Blast magazine and CartoonBrew blog, charts the evolution of the modern style in animation, which largely discarded the "lifelike" aesthetic for a more graphic and often abstract approach. Abundantly found in commercials, industrial and educational films, fair and expo infotainment, and more, this quickly popular cartoon modernism shared much with the painting and graphic design movements of the era. Showcasing hundreds of rare and forgotten sketches, model boards, cels, and film stills, Cartoon Modern is a thoroughly researched, eye-popping, and delightful account of a vital decade of animation design.
Wish kids came with instructions? At least you can take heart—and have a laugh—in the knowledge that the little dears confound and amuse all of us. Nothing captures our rollicking relationship with them—and theirs with the adult world—quite like New Yorker cartoons. The magazine's brilliant cartoonists (a good number of whom are rumored to have never completely left childhood behind) lead us from the hospital nursery, through toddlerhood, into the school years and beyond-to that long-lasting challenge of being an adult with parents. Selected by Robert Mankoff, cartoon editor of The New Yorker, this collection brings together 126 great cartoons (from artists including George Booth, Roz Chast, Leo Cullum, William Hamilton, Gahan Wilson, Jack Ziegler, and many more). The introduction from the one-and-only Roz Chast gives us a riot of insight and delight-which, come to think of it, is not a bad description of childhood.
Offers practical advice on drawing cartoons and comic strips, and discusses plot, characters, conventions, speech balloons, and lettering.
If you have ever looked for P-values by shopping at P mart, tried to watch the Bernoulli Trails on "People's Court," or think that the standard deviation is a criminal offense in six states, then you need The Cartoon Guide to Statistics to put you on the road to statistical literacy. The Cartoon Guide to Statistics covers all the central ideas of modern statistics: the summary and display of data, probability in gambling and medicine, random variables, Bernoulli Trails, the Central Limit Theorem, hypothesis testing, confidence interval estimation, and much more—all explained in simple, clear, and yes, funny illustrations. Never again will you order the Poisson Distribution in a French restaurant!