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Though tourism now plays a recognized role in historical research and regional studies, the study of popular touristic images remains sidelined by chronological histories and objective statistics. Further, Arizona remains underexplored as an early twentieth-century tourism destination when compared with nearby California and New Mexico. With the notable exception of the Grand Canyon, little has been written about tourism in the early days of Arizona’s statehood. Mapping Wonderlands fills part of this gap in existing regional studies by looking at early popular pictorial maps of Arizona. These cartographic representations of the state utilize formal mapmaking conventions to create a place-based state history. They introduce illustrations, unique naming conventions, and written narratives to create carefully visualized landscapes that emphasize the touristic aspects of Arizona. Analyzing the visual culture of tourism in illuminating detail, this book documents how Arizona came to be identified as an appealing tourism destination. Providing a historically situated analysis, Dori Griffin draws on samples from a comprehensive collection of materials generated to promote tourism during Arizona’s first half-century of statehood. She investigates the relationship between natural and constructed landscapes, visual culture, and narratives of place. Featuring sixty-six examples of these aesthetically appealing maps, the book details how such maps offered tourists and other users a cohesive and storied image of the state. Using historical documentation and rhetorical analysis, this book combines visual design and historical narrative to reveal how early-twentieth-century mapmakers and map users collaborated to imagine Arizona as a tourist’s paradise.
Web mapping technologies continue to evolve at an incredible pace. Technology is but one facet of web map creation, however. Map design, aesthetics, and user-interactivity are equally important for effective map communication. From interactivity to graphical user interface design, from symbolization choices to animation, and from layout to typeface
Analyzes spatial history of 19th and early 20th century Mexico, particularly political uses of mapping and surveying, to demonstrate multiple ways that space can be negotiated in the service of local or national agendas.
How can we map differing perceptions of the living environment? Mapping the Unmappable? explores the potential of cartography to communicate the relations of Africa's indigenous peoples with other human and non-human actors within their environments. These relations transcend Western dichotomies such as culture-nature, human-animal, natural-supernatural. The volume brings two strands of research - cartography and »relational« anthropology - into a closer dialogue. It provides case studies in Africa as well as lessons to be learned from other continents (e.g. North America, Asia and Australia). The contributors create a deepened understanding of indigenous ontologies for a further decolonization of maps, and thus advance current debates in the social sciences.
From an "illuminating and entertaining" (The New York Times) historian comes the World War II story of two men whose remarkable lives improbably converged at the Tokyo war crimes trials of 1946.
Make maps and other cartographic materials more easily accessible and usable!Maps and Related Cartographic Materials: Cataloging, Classification, and Bibliographic Control is a format-focused reference manual for catalogers that should occupy a prominent place on your reference shelf.Outside of standard cartographic cataloging t
Nestled in the foothills of the San Francisco Peninsula, just north of Silicon Valley, is the small community of Woodside, which insists on being called a town. Herein are the tales of the indigenous Ohlone culture, Spanish and Mexican periods, logging of the magnificent redwoods, settlement by European and other pioneers, and Woodside's incorporation as a town. There are no traffic lights, sidewalks, or roads named "streets," making Woodside seem anachronistic. Horses have the right-of-way, and the main road through town, a state highway, is closed for the annual May Day Parade. Defining rural may be elusive, yet residents would agree that the narrow roads, open spaces, and plentiful trees contribute to its rural character.
“In his most ambitious work to date, [Edney] questions the very concept of ‘cartography’ to argue that this flawed ideal has hobbled the study of maps.” —Susan Schulten, author of A History of America in 100 Maps Over the past four decades, the volumes published in the landmark History of Cartography series have both chronicled and encouraged scholarship about maps and mapping practices across time and space. As the current director of the project that has produced these volumes, Matthew H. Edney has a unique vantage point for understanding what “cartography” has come to mean and include. In this book Edney disavows the term cartography, rejecting the notion that maps represent an undifferentiated category of objects for study. Rather than treating maps as a single, unified group, he argues, scholars need to take a processual approach that examines specific types of maps—sea charts versus thematic maps, for example—in the context of the unique circumstances of their production, circulation, and consumption. To illuminate this bold argument, Edney chronicles precisely how the ideal of cartography that has developed in the West since 1800 has gone astray. By exposing the flaws in this ideal, his book challenges everyone who studies maps and mapping practices to reexamine their approach to the topic. The study of cartography will never be the same. “[An] intellectually bracing and marvellously provocative account of how the mythical ideal of cartography developed over time and, in the process, distorted our understanding of maps.” —Times Higher Education “Cartography: The Ideal and Its History offers both a sharp critique of current practice and a call to reorient the field of map studies. A landmark contribution.” —Kären Wigen, coeditor of Time in Maps
Geographic books routinely introduce map projections without providing mathematical explanations of projections and few delve into complex mathematical development or cover the breadth of projections. From basic projecting to advanced transformations, Cartographic Science: A Compendium of Map Projections, with Derivations is a comprehensive reference that offers an explanation of the science of cartography. The book is a compilation of more than a hundred map projections, from classic conics to contemporary transformations using complex variables. Starting from widely described geometric projecting onto flat paper, cylinder, and cone and then progressing through several layers of mathematics to reach modern projections, the author maximizes the application of one layer of complex mathematics before continuing on to the next. He also supplies numerous one-page tutorials that review terms and methodologies, helping minimize the challenges of unfamiliar mathematical territory. Divided into four parts, the first section examines the shape and size of the Earth, then proceeds to investigate the means for relating the curved surface to a flat surface, and addresses scaling. It goes on to cover pertinent principles of projection including literal projecting, true but synthetic projections, secantal projections, pseudocylindrical projections, and pseudoconical projections, as well as the other variants of more serious projections. The book concludes by looking at factors influencing Mean Sea Level and notes the cartographic aspects of current developments. Cartographic Science: A Compendium of Map Projections, with Derivations explains the mathematical development for a large range of projections within a framework of the different cartographic methodologies. This carefully paced book covers more projections, with gentle and progressive immersion in the mathematics involved, than any other book of its kind.